#dansenshus_swe

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Fictional copies

This is difficult... to write about.

facing the lights, facing the performers, facing each other, facing bodies, facing life reality universe and everything

PA rt on fo the ir to gerth nerss

you me see to gether u s in fron t of me in by you. w e live side by side in side we live together

Its a loving piece, which intrudes you to your very sense of self, you become lovingly stolen, yet you loose nothing, and gain something kind yet deadly.

The piece moves images not bodies.

Leaving us with a dance which transcends the labour of the body and enters a whole new economy. For worse or for better but different.

.It is this differences that excites me, it highlights possible other ways to value and function which are different to the nihilist capitalist values of profit and greed.

It gives me hope, within a system which fails in its production of images which don’t match the reality of life and the beauty of experiencing reality.

This is freedom within failure.

THANK YOU

Thank you

Concept// Björn Säfsten and SUTODA

Choreopoetry// Björn Säfsten with performers

Performers// Allison Ahl, Anja Arnquist, Kenneth Bruun Carlsson, Oskar Landström, Sebastian Lingserius

Thank you

DANS

STOCKHOLM

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La Veronal is Stockholm with Siena

Siena

I remember the desire to pause.

Just to wait a see what’s happening to me.

The romantic picture hangs at the back of the stage, still, paused.But i can look and look and keep looking and find more and more, as the text and dancers display, even when the image of life is still, im still moving i am still living, i am not able to pause.

The object fights back. Eventually the object always fights back. You think you know the object but one day is fails it does not produce your expectations. The world seams wrong, if i could only pause for a second to grasp what is happening. It slips it slides it resists being true, being truth.

The bodies are acting like the objects which escape. The bodies are dysfunctional, absurd. This is telling as a hospital bed wheels past the doorway again. The body is dying and yet we have no time to understand why.

There is something behind the picture. The broken commodity. A question of value and function.

Nude naked truth, yet even if all the hair is removed one doesn’t see more, in fact mostly one sees less. Truth is hidden we need to hide to close our eyes to see it, to enter into darkness, to see nothing if we truly want to see truth.

As the shadows dance the last dance of death.

Thank you La Veronal, thank you dans<3 stockholm.

The festival has begun, the dream is out there dance is taking over Stockholm culture, you cant hide its out there to get you. Its a beautiful site to see dance venture beyond its community not as a belittling gesture of "here let us help you understand" but as a full blown "THIS IS DANCE,,,, DEAL WITH IT" i love it. Thank you dans <3 stockholm, Thank you Eva Broberg, thank you Dansens Hus, thank you for keeping it real for the kids on the street.

PETER

La Veronal www.laveronal.com

Under guidance of: Marcos Morau Choreography: Marcos Morau in collaboration with the dancers. Text and dramaturgy: Pablo Gisbert-El Conde de Torrefiel. Dancers: Clyde Emmanuel Archer, Inma Asensio, laia Duran, Cristina Facco, Cristina Goñi, Anna Hierro, Ariadna Montfort, Lorena Nogal, Manuel Rodríguez and Sau-Ching Wong. Assistant director: Tanya Beyeler Teacher: Cristina Facco Scene and lighting design: La Veronal & Enric Llanas Photo: Jesús Robisco, Edu Pérez & Quevieneelcoco Production manager: Juan Manuel Gil In collaboration with: Roberto Fratini

SIENA/////////////////////// from Crystal Lake on Vimeo.

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The artificial nature project. and the rest is history

Mette Ingvartsen/ The artificial nature project 28th sep Dasens hus Stockholm,,, and the rest is history...cue music

I am PETERS broken perception. “There has been some damage to the brain.” There is a glitch in my system, and I am the non-human spectator. PETER knows what’s happening. Glitch “snow is falling...” My bad consciousness is fed by the hazardous manner by which I speak. PETER knows PETER can not know. There is a machine to breath for the body, a machine to feed the body and a machine to extract waste from the body. Glitch “expect that the roads could have black ice during...” We are anonymous. As we wait for the body to wake-up. Listen can you hear the empty sole of the mass insurrection. SILENCE. What moves but does not go anywhere? Glitch Glitch. I am effected. This item is defected. We will keep... glitch … for as long as we can. Glitch “sir, may I ask who's the oil for?” Glitch gone. “They were here only a moment ago, I know I put them here, one of you must have moved them...” Glitch. I am the coma victim of my own crime. “... for the them to choose, only then I can see we could help at all.” Is the room watching this, what is this doing to the room. It moves. Glitch “more energy is needed if we want to keep the machine running all night.” I am PETERS guilt. “Sit back and enjoy your flight, we be will arriving in...”. Glitch. Still, still movement, still. They know what’s to be expected. It has a will of its own. I am willing to produce the conditions for... Glitch ...and then all things will be... Like at sea communication is difficult. Sometimes it is faith and faith alone which carries us... Glitch. Control is a concept by which we measure our pain. Letting go. As the astronaut drifts into space and loses air the astronaut has the chance to silently float and look upon the.... Glitch Glitch.

WOW, good times with The artificial nature project and Mette Ingvartsen, Thank you.

CHOREOGRAPHY / PRODUCTION Mette Ingvartsen

PERFORMERS Franziska Aigner, Sidney Leoni, Martin Lervik, Maud le Pladec, Guillem Mont de Palol (replaced in Stockholm by Jaime Llopis Segarra), Manon Santkin, Christine de Smedt (replaced in Stockholm by Ilse Ghekiere) MUSIC Peter Lenaerts LIGHT Minna Tiikkainen DRAMATUR GHY Bojana Cvejic LIGHT ASSISTENT Milka Timosaari TECHNICAL DIRECTOR Joachim Hupfer LIGHT TECHNICIAN Susana Alonso PRODUCTION /CHOREOGRPHY ASSISTANT Elise Simonet PRODUCTION DIRECTOR Kerstin Schroth

Websites

metteingvartsen.net

REVIEWED REWRITTEN REEXPERIENCED BY PETER