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A Farewell to Flesh

Yesterday I saw an old friend Benjamin Pohlig and a new friend Sunniva Vikør Egenes piece Farewell to Flesh:

A Farewell to Flesh is farewell to more than a farewell to flesh. Farewell to sense, reason, logic, language, culture, civilization... When we dream and attempt our utopias the ideal is met by the extreme consequence of loosing oneself. We say farewell the our bodies, worlds, rules, concepts, even our sense of taboo is warped and transfigured. We say farewell to taboo, in this joyest, serious, happy, surprising and real performance.

The more I know I know I know I don’t know the known I knew long ago.

This is a dance contextualized through and through, for what dance does best. It relates directly with the real and as hard as we try to attach language to it, language slips away. And what is left is reality raw and ready to become anew.

Final performance tonight 19h00 Kamraterna, Östgötagatan 2, 116 25 Stockholm. I highly recommend it.

#STOFF17

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Phoenix ~ Performance

Review. Re-view. Company. Company review. Weld. Weld company. Weld company review. Phoenix. Phoenix by Weld company Dansens Hus at Dansens Hus. Rebecka Stillman. Weld. Pyo Soon Caroline Byström, Robin Dingemans, Sybrig Dokter, Marie Fahlin, Pavle Heidler, Noah Hellwig, Elias Girod, Disa Krosness, Josefine Larson Olin, Sandra Lolax, Robert Malmborg, Per Sacklén, Kajsa Karolina Sandstrom, Hanna Strandberg, Andrea Svensson, Anna Westberg, Chrisander Brun. Erik Annerborn. Review review to re view too. Hej! I don't like so much reviews I prefer re views. Like one should only review if one wants to re view something. So I will not give a preview a description of what to expect if you want that try this http://www.weld.se/program/weld-company-with-phoenix-at-dansens-hus-april-28-29/eng/ The Godless lands of now turn my shimmering utopia of free will into a classical playground side like before. Holding ice cream in one hand and jelly in the other, pastilles side out. Individually we collectively organize our reading to understand our collective selves. We you us us us we you who you yoohoo. Momentary sadness the undiscovered side effect to momentary gladness. This is my monumentary movement in which I simultaneously belong , squander, and surpass my own atmosphere, who am I out hear, a love letter to a rejected love, exclaiming “I care”. Like I literally died was reincarnated and died again. Ironically my irony is iconography just to please thee to trust me, and let us be at the limits of this history, a planned economy for absurdity. Pause repeat second conceit. The tacit art of compromise is the era for just doing my job for feeling good. Countless page turners in hope for a shining night in silver, glittered and garbed for you. My right hand is slow my left is slower and my mind slower still, like water, yet comparable to hills, rocks, and mountains it is not, these are windows into a windowless tomb. Wait a moment, clear this page, here we are a trove to behold, fear its glare, words are turds they slip and slide and arise anew as manure, or? Gosh a smile a break a release importance, but not serious, like harry's wand, a twig. Gestural lines, woven stories, intricate details, pieces of living material, step away from the vehicle, lines blur and curve, put you hands above you head, further but equally really, drop your weapon, a haze of familiarizes, a failing projector flickering stills, meaningful chunks in a expansive soup, get down on the floor, wisps, clouds, a hiss, a dimmed shimmer, you have the right to remain silent, nothing is here a horizonless infinite horizon, anything you do say, an expanding expanse from nothing to nothing, evidence, far far away. A flat line, listened to for long enough performs a glitch, a sudden utterance, a surge in the power grid, the fainest pulse, an awe inspiring, slice of gluten free vegan fair trade chocolate cake. PETER

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JUCK ~ video

What I see. Owning uniformity reclaiming standing protection creating_space making...

I don't know! Either that or i'm less interested in my view. This is what my mum said when i asked her about the video.

“Femalecultural dominance friendship bonding”

“Lemons!!” "Its good. They have turned a masculinity type of dance and put a feminine influence. Does this leave a sour taste?" Me

"no! i like it. lol"

Mum

"Very good." ########################################## im still learning, I LOVE THIS VIDEO. WOW. THANK YOU. Idea and concept: Cajsa Godée - Emelie Enlund - Tarika Wahlberg Production: Cajsa Godée - Emelie Enlund Camera: Linus Enlund Editing: Linus Enlund - Cajsa Godée - Emelie Enlund Dancers: Shirley Harthey Ubilla - Feyona Naluzzi - Tarika Wahlberg Cajsa Godée - Emelie Enlund Music - Dschinnjah - Kotellet & Zadak

————————————————————————————————————————— This is apart of a series of Reformulation* writings of and around choreography, posting once a week ever Sunday If you have comments you can leave then on my facebookhttps://www.facebook.com/repeatpeterpeterretep or my wordpress stillpeter.wordpress.com .

Kindness and Sweetness PETER *http://reformulationhandbook2013.tumblr.com/

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MM ~ Video

I enter the stage I enter the page and meet myself and meet my memory. I think about our time I remember our thoughts. I see my movement I plan my moments. I imagine the situation I reenact my dreams. I control this future and rely on this past. I spend time in preparation. This is choreography this was this is time travel. This is structure. This is body. This is person. This is mind. This is dance. This is playing on the edge and this is challenging the truth. This questions the voice the opens the author this illustrates the intellectualzation of art. I am both listening and relaxed I let go and take hold. I want to move and I want to watch. I want to talk and I want to dance. I meet a conflict between dancing dance and thinking dance and I feel both I watch both I do both and I dance I still dance. This is not dance dance a poor attempt to value something above another because one wants to keep their authoritiy this is DANCE. Just DANCE... Ludvig Daae  you inspired me, thank you WOW

111114 | Ludvig Daae | Atalante from Atalante on Vimeo.

————————————————————————————————————————— This is apart of a series of Reformulation* writings of and around choreography, posting once a week ever Sunday If you have comments you can leave then on my facebookhttps://www.facebook.com/repeatpeterpeterretep or my wordpress stillpeter.wordpress.com .

Kindness and Sweetness PETER *http://reformulationhandbook2013.tumblr.com/

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Shake It Off ~ video

A history is repeated and understood as now. 1. Write a description of the video before you have seen it. If you have seen write you write a description of what you remember. 2. Put your body in a position which challenges and in some way revitalizes your body but also allows you to see the video. 3. Watch the video.

4. List four words off the top of your head after the video has finished. 5. For a minute imagine you are Taylor Swift (the signer) in the video. You can close your eyes to do this. 6. Write down which part you would have enjoyed of doing the video. 7. Including the four words you wrote earlier write a sentence which begins "This is..." Thank you. PETER

————————————————————————————————————————— This is apart of a series of Reformulation* writings of and around choreography, posting once a week ever Sunday If you have comments you can leave then on my facebookhttps://www.facebook.com/repeatpeterpeterretep or my wordpress stillpeter.wordpress.com .

Kindness and Sweetness PETER *http://reformulationhandbook2013.tumblr.com/

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Little Egypt ~ video

But this body person self and existence is so much entwined with everything if any part is neglected it is possed and vulnerable even though through its interconnectedness it displays signs of security it lacks the same compassion through it being neglected. It turns on its head its precarity within its own existence. Meaning and value collects and condense importance through neglect and ignorance. In the whirl of the universe everything holds true. If everything was to be counted all must be included. The falsity and neglect of aspects is a rude abrasion on the entry of everything.

Inclusion means to allow one not to partake. But the inclusion of activity against inclusion can not be included. When argument falls short of reasoning for everyones inclusion the position is often upheld by violence, verbal, mental and situational.

There can be no neglect and there is no excuse. The security of ones owns meaning and value can often result in illegitimate excuses for exclusion. The systems one uses and the power one yields is a tell telling sign of the violence one exserts upon others.

Underminding ones privileges by doing without authority creates a cataclysm in the systemic violence ensuring our value and meaning.

  I met an amazing person who loved to turn. From what I understood other things didn’t interest them. But to spin and spin and spin and spin was joyest, when I came to move on change and do something else all light energy and enthusiasm left and they sat arms and legs crossed. I have once practices whirling dervish where we span for 30 minutes. The situation changes a lot during that time, slowing down or speeding up causes nausea, yet maintain one speed is difficult and tiring. feet catching, room moving, arms aching.

Once before a ballet class i warmed up by spinning. The bar became a support during the first part of the class and I had no balance.

Even the thought of turning is making me feel sick just sitting here writing. Things turn, the earth turns, the solar system turns, the galaxy turns, atoms turn circles. spirals, continuing lines, transcending direction and moving incomprehensibly.

I am here, here I am. I am I am again I am.

  ————————————————————————————————————————— This is apart of a series of Reformulation* writings of and around choreography, posting once a week ever Sunday If you have comments you can leave then on my facebookhttps://www.facebook.com/repeatpeterpeterretep or my wordpress stillpeter.wordpress.com .

Kindness and Sweetness PETER *http://reformulationhandbook2013.tumblr.com/

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Directors’ Cut: Jonas Åkerlund ~ video

Take ones hand and lean it against something. Place ones nose near something disgusting. Mark ones arms. Slide it aside. Give a little. Place ones heart alone from ones movement.  Think down and through push and leave it. Back up towards. Again take ones hand and lower it to the floor. Hide it discretely. Glide over and jump. Jerk. Be ones own reason. Lie down legs twist to the right and head and arms calmly reach for a more intense sensation in the whole body. Let go a little. Mime opening tight lid on a jar of sour cabbage. Make a new look and let go. Send the leg forward and let the body follow. Shake. Shake ones ribs falling to the ground. Step of the table and jump high. That time. Move the table as if its your body. Be a person amongst others. Arrive and be late. Prepare ones last sight. Mime your really moment. Take this building and let it be a built. Stand a little. As one jumps move the torso in the opposite direction. Run around. A fall. Hold your hands. Hold another’s face. Press closer and look away. Give in a little. Be. Wow thank you Ana Laguna Mikhail Baryshnikov Mats Ek and Jonas Åkerlund.

————————————————————————————————————————— This is apart of a series of Reformulation* writings of and around choreography, posting once a week ever Sunday If you have comments you can leave then on my facebook https://www.facebook.com/repeatpeterpeterretep or my wordpress stillpeter.wordpress.com .

Kindness and Sweetness PETER *http://reformulationhandbook2013.tumblr.com/

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I Couldn't Agree with you More (1999) ~ video

What reminds me of a time. People incarnations of othern and otherness. Actuality and political ability all a forces of impossibleness. Mime moments, police insight laughing outright, a possible list an improbable story. EAT SLEEP RAVE REPEAT. Signs of a song. Part in words. History a moment. Places a position. Paradise a problem. Space. Mark. See. But if this was just a game see the movements lie in altered ethics through a distance from reality. Lined up in displaced emotions are means to an end, wars and obvious what for's. Game like lives sweep on with colourful tones yet importance provokes to ghostly ignorance of suborn activity. But surly doing in touch and without illuision masked and fearless within and out nine life’s but for consequences and relation reaction and living doing part of a do. A do to all. B is for been seen. C is for so over and all that. D is for do dance din daft done doing again dizzy. E is for estooler. D isfor Death. F is for ever. G is for you. H is for Has Bo. I is next to me. J. K kinda like, K. L is for lemons. MNOPQRSTUV is for very often very. W wwwwwwwwww w what X much more Y always Z zzzzz again SLEEP. REPEAT RETEP. Liking the view from your window is the hardest to like when your prison isnt near the sea. Western beginning of a new testy type of return to a new created response like rationality. This year will be the next thus tis so awsome, wow. Lamps and new cost effective magical moments as if within towt. Guess work done||||doing fun. Thanking you ton. Gosh bless two... Moment clue.

Thank you Pipilotti Rist

————————————————————————————————————————— This is apart of a series of Reformulation* writings of and around choreography, posting once a week ever Sunday If you have comments you can leave then on my facebook www.facebook.com/peterpeteringout or my wordpress stillpeter.wordpress.com . Kindness and Sweetness PETER *http://reformulationhandbook2013.tumblr.com/

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Medical Gymnastics ~ video

Thank you Agnieszka Polska.

————————————————————————————————————————— This is apart of a series of Reformulation* writings of and around choreography, posting once a week ever Sunday If you have comments you can leave then on my facebookwww.facebook.com/thepersoncalledpeter or my wordpress stillpeter.wordpress.com . Kindness and Sweetness PETER *http://reformulationhandbook2013.tumblr.com/

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Everybody Knows Sh*t's F*cked ~ video

1. List your first 5 things which means past for you. 2. Press your hands together whilst thinking backwards.

3. Let go of any loved ones.

4. Press you hope towards the left of a road you imagine in you minds mindvison.

5. Pant a little.

6. Like a video on Youtube.

7. Mate with candy. 8. Design the most perfect zoo for lice living on you head.

9. If you don't have a head create one from stun in you recycling bin. 10. Skype someone who's on-line and imagine they are your guru and everything they say is about your future and how to live. 11. If you are bored by this point copy and past this list into and new window then play with the font, colour and formate, or try eating carrots. 12. Today rather than thinking your removing dirt in the shower imagine your adding magic to your body. 13. Choose some of your favorite clothes imagine your wearing them whilst being naked in frount of the mirror. 14. Create a party. 15. Leave this party early. 16. Network with homeless people and give the people you network with your spear change. 17. Ask a friend to write your biography from their perspective on one roll of toilet paper, then leave this roll of toilet paper in a public toilet.

18. Go the loto shop and filling in all the loto slips.

19. Choose and number. 20. Go looking for treasure in the park where you know there is no treasure, but act as if there is. 21. In the train station and pretend you just got a phone call confirming that your deepest wish has come true and react to the information as best you can. (remember and not leave your phone on so no one really calls you) 22. Tell someone a shared close friend has died and follow their reaction.

23. Create your own jigsaw puzzle and give it as a gift. 24. Clean your hands. Take time to do this.

25. Break all your nabours locks to their house when they are not in, then give them shelter, company, food and support them through this time. 26. Write a list of things you will never do and put it somewhere other may see it. 27. Find a stranger. Don't follow them. Don't even imagine where they live or what their life is like. 28. Guess my age. Then add a few years. 29. Pretend to make love with a ghost. And do your research really find out about some who is dead and you would like to be with.

30. Risk everything or just do it...

31. Be really sad.

32. And lie to yourself.

33. Tell me you read this even if you haven't

34. Close your eyes. 35. I thought I told you to close your eyes how are you reading this.

36. Ok you can open your eyes now. 37. hej someone get this person attention they can open their eyes now.

38. Make a meal for yourself imagining that you were a frog, who can cook...

39. Test something.

40. Break something.

42. Hide something. 43. Show something. 44. Cats

45. Wake up 30 minutes earlier and do something out of the ordinary.

46. Write 6 boring things about yourself

47. then rewrite them to make yourself sound better.

50. You write 48 and 49. 51. Pretend you have another idealogical, go wikipedia it then plan a days activities which would align themselves with that ideology.

52. Rename somethings. (relabeling them helps remember)

53. Find a friend and make a short dance you can do whilst walking, to a verse of a song you both know. Then when ever someone sings the song you have to dance your dance. 54. Listen to ABBA. 55. Go into the garden and create a God or many God's. From whatever your find their.

56. Go to IKEA and try to get through the whole store without opening your eyes and not buying anything.

57. Write a book. Any book any size as long as it looks some what like a book.

58. Return something to the shop that your bored of or just don't want or was going to bin.

59. Play utopia with friends where you all lie down and one by one you each describe a day in the life of your utopia.

60. Kiss ass.

61. Create a game you can play whilst on the toilet.

62. If an authority asked you a question reply by saying “Its a secret, I can't tell you”.

63. Lie down somewhere you haven't before.

64. learn something about how a part of the body works then tell a friend demonstrating on their body.

65. Create two conspiracies theories. Think about the agenda of your theory who it aids.

66. Be scared.

67. Scream a little

68. Carry matches with you.

69. Tell your secrets to a tree.

70. Copy someones looks.

71. If you like something present you are it. 72. Make your bed into a trap.

73. Don't do anything.

74. Don't do it.

75. Leave it alone. 76. Don't breath to much.

77. Don't eat almost anyting.

78. Don't even exist. 79. And

80. DO.

Thank you Stephen Paul Taylor

————————————————————————————————————————— This is apart of a series of Reformulation* writings of and around choreography, posting once a week ever Sunday If you have comments you can leave then on my facebookwww.facebook.com/thepersoncalledpeter or my wordpress stillpeter.wordpress.com . Kindness and Sweetness PETER *http://reformulationhandbook2013.tumblr.com/

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//>> ~ video

This video is unlisted. Be considerate and think twice before sharing.

This video is unlisted. Be considerate and think twice before sharing.

This video is unlisted. Be considerate and think twice before sharing.

This video is unlisted. Be considerate and think twice before sharing.

“Uploaded on 6 Nov 2011

tonight tonight option B option B play as individuals just play as individuals new rules new rules new page new page here it's just two options here it's just two options we will see  we will see new page explain you also why also want to explain you why going out going out yeah do you know what is my surname? my surname (stuffed cookie) physical only physical action propose like action what second okay here it's second throw the dice throw the dice (choir) throw the dice throwing the dice bip bip bip bip taking terms take terms sorry  sorry mine  mine mine mine woh woh woh woh woh woh woh next one is next one disappears when you start you switch teams you change you change starts  they all starts in this triangle starts they change teams but starts starts the start should be something he can choose he can choose ahh ahh ahh four steps forward so start is go four steps forward you choose (choir) you choose physical task physical thing yeah yeah

Category

Non-profits & Activism

Licence

Standard YouTube Licence

“

Quote unquote... ]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]work

Layered============================

We talk about work'''''''''''''''''''''''''''''''''''''''''''''''

||||||||||||||||||||||||||||||¬¬¬¬¬¬¬¬¬¬|||||||we sleep

unique transference special moments respecialed

Respect and sum,.

If one has not the possibility/potential,,,, no scratch that------

What one does one can do so to be able to do one must have done. To under mind this one must do. When one is stopped from doing one has no possibility to do.... We are horrible people! We are not good and do not have the answers! The best we can do it allow our selves and others the opportunity and possibility to DO! Concepts of good can not be conceived from a position outside of good|good is impossible.

Any promotion is authoritarian as it can not have been experience and justified by and with the elements effected by the proposal. Possibility creation for experience as a function to understand ones own necessity with the negotiation of ethical responsibility to the event, moment and circumstance. Working it out is the opposition of work. Work forcefully, violently and illegitimately is the practice of reinforcing a position. The job of a choreographer is first a foremost to enforce the legitimacy of its authority which can only be done by suppressing and dominating alternatives to itself, namely reality. By stopping work we remove the authoritarianism and provide space to work on oneself in order to better and being. Rather than focusing away from oneself at the threat of ones community.

Rebecca Chentinell LIVES up to hope as an instrument of movement away from functional effective work authoritarianism. THANK YOU

Anna Asplind, Ingrid Cogne, Cicilia af Dalmatinerhjärta, Ivana Dragsic, Alexandar Georgiev, Milka Ivanovska, Ivana Ivkovic, Igor Koruga, Zhana Pencheva, Predrag Ristic and Dragana Zarevska

————————————————————————————————————————— This is apart of a series of Reformulation* writings of and around choreography, posting once a week ever Sunday If you have comments you can leave then on my facebookwww.facebook.com/thepersoncalledpeter or my wordpress stillpeter.wordpress.com . Kindness and Sweetness PETER *http://reformulationhandbook2013.tumblr.com/

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Gymnos Viola ~ video

Lessthanoisecaloiderutus

feereedmeoyormoonlangtidg

basthymleverterfderbeverlerger

lekmaniticalutoolers

westlearnhermitear

miykiceteeteeticwiceplice

meowcatowtatuu

pleatsanteterry

wekingtess

mooviekorauw

lessoutgamtlensgivertreefindal

fisortorneanddarlamptorggloserme

bleusewtqrittyt

weartsolesserthanleotow

crisslpthotinlomisonow

reremtemplemintemcassfeenmeoshesehetoiseeeee

na

lsssspriztputbisddobbof

yardddiv

meskakach

itashplasliiiessusmiiosusoe

xotxotxdxodxtxxottrextoe

messmenmanceleeseachance

kiffooooffoekay

y

eeeeeeeeeeeeeee

tevererair

likenightthginekil

musingmiyitight

rauwaerwawwwaor

seolaw

tovikey

mizzinsikiie

yeso

wov

plot

plan

lessern

scan#

pressincashtan

be

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leester

mink

in

fend

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oaw---------

|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||pri,,pri,,,risen,,,prson,,,prisen,,,prisison,piss,,in,ton

Gymnos Viola from SafiraDiamension on Vimeo.

————————————————————————————————————————— This is apart of a series of Reformulation* writings of and around choreography, posting once a week ever Sunday If you have comments you can leave then on my facebookwww.facebook.com/thepersoncalledpeter or my wordpress stillpeter.wordpress.com . Kindness and Sweetness PETER *http://reformulationhandbook2013.tumblr.com/

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Animal Performances (for Animals) ~ video

Whilst reading please listen to >>>

I believe today we are temporarily preexsposed to the conditions of animate, so and and again lesser to animation.

performances for animals and videos for?

The audience is dead long live the undying.

A friend tells me I don't want to do performance for the public any more. I agreed. But what does that mean.?

The choreography uses representation but does the representation function for the performances to create pleasing behavior for the cat/animal or in fact does the representation function for the cats as representative. I was once told art is always representation. And my question to the notion has been then what is everything else?!

ever so qualitative.

Is concern and care the mark of a hand like human? or just an instrument in a scene change

how exciting my reaction to the reaction of the animal, i cant help feel like im being told to spectat the spectator. to spectat myself?

What is the plurality of the title performances, are there more than one and there many a art object a representation. Is it possible for multiple as the conduct and codes of human speculation and not the same as animals. leaving the performance unable to be framed, apart from the saddening i feel with two giggles and the video ending.

Absurdity.

I would like to place this pleasant friend Absurdity along side work, job, profession etc. Work seams to act like a justifier of function. My work is my function. In life society the general progression of human history. each day and job is a little part of this greater than oneself's value. But this does leave the unemployed and the constant legitimatizing and conservation of certain jobs/work and work in general. Sadly linking work to ones personal worth and importance. And causing illegitimate, unnecessary and harmful activities to be enforce encouraged in the name of ones own worth and importance. It is ever so more obvious with the increase of technology that function in the terms of paid labor is replaces by cost effective and more efficient methods needing less person power. And with which i would not try and save the dying jobs of the future by creating more knowingly of unknowingly unnecessary/nonfunctional jobs. and begin to understand function outside of these systems or even better to value other activity than that classified as work. and in doing so value persons outside of the work ideology. But the art worker or at least art itself which i believe does not have to lie within the realm of work (see my text on amateurism). Art provides the investigation, the understanding and space for value outside of function.

A bliss a love an encounter a message a means a future for and with absurdity.

Thank you Krõõt Juurak beautiful wonderful hopeful amazing WOW.

Thank you Krõõt Juurak and Alex Bailey beautiful wonderful hopeful amazing WOW.

Animal Performances (for Animals) by Krõõt Juurak and Alex Bailey from Krõõt Juurak. Krõõt Juurak and Alex Bailey perform for a cat in Zürich, Stromereien Performance Festival.

————————————————————————————————————————— This is apart of a series of Reformulation* writings of and around choreography, posting once a week ever Sunday If you have comments you can leave then on my facebookwww.facebook.com/thepersoncalledpeter or my wordpress stillpeter.wordpress.com . Kindness and Sweetness PETER *http://reformulationhandbook2013.tumblr.com/

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SHAME ~ video

SHAME IS PUNCTUATED BY SILENCE.

WE WILL WRITE A HISTORY OF FORM IN DANCE. THE CATALYSTS OF MOVEMENT.

FROM BODY TO ABILITY FROM EXPRESSIVE TO SENSIBILITY FROM SOCIAL TO REPRESENTATIVE FROM GETTING IT RIGHT TO IMAGINARY TO THE DISPLACEMENT OF AUTHOR.

SHAME IS A HOME YET THE WALK OF SHAME IS MOST OFTEN INDEFINITELY NOT AT HOME. THE WALK OF SHAME REQUIRES A CERTAIN FULFILLMENT OUT OF NORMATIVE FUNCTION. SHAME PRECEDES THE INEVITABLE TRUTH A TRUTH TO COME, LETS CALL IT FRANK.

THE SHAME GLAND HOW EVER EXISTS INSIDE THE RIGHT SIDE OF THE FACE CONNECTING WITH THE CHECK BONE. IT IS SHAPED LIKE A MUTATUS MOTHER CLOUD (ALTOCUMULUS CIRROCUMULOMUTATUS). IT IS A VISCOUS PALE YELLOW SPECKLED WITH BLUEY RED NODES WHICH BARE FAINT STREAKS OF LIGHTING BLUE. WHILST PASSING THROUGH ARE THE FLUIDS OF REMORSE AND HOPE, FACILITATING THE LUBRICATION OF LOVE AND EMPATHY. MEN MORSE AND QUEENS DIE FEELING PREY PASS OK TELE.

THE DECLARATION OF COMPASSION 1983. - WE HERE ARE KIND CAPTIVATED PARTICIPANTS PRONE THE BLIGHT YET FREE FROM CERTAINTY. MESSENGERS ARE FULL PART IN LULLED HEART, SO TO GIVE FORTH A WORD OF HAPPINESS "DESTROY", THAT WHICH SERVICES NO MORE, THAT WHICH IT'S ARGUMENT IS ILLEGITIMATE. ACTIVE IN THE QUESTION AND DAMMING IN THE FACE OF ILLEGITIMACY. MOVEMENT SURPASSES AND ACTIVITY GIVES SPACE BUT SUBMISSION ACTS HARMS AND DISPLACES. MAKE SPACE AND DESTROY

THANKS

by Frédéric Gies and Andrea Keiz

Shame the 5th video of ALBUM (Praticable)

And this week an extra:

McDONALDS THE REFUGE OF THE PRECARIOUS.

This place we come to hate because of its murders, capitalist, unethical ways provides a space late at night, a glowing light of warmth where status is no threat and its mindless ambition becomes a prison we can rely on, it walls are security even for the most insecure.

As McDonalds has been reduced to its simplest function to make profit. To such a degree there can no longer be any empathy for its name. It services and functions in our continuation to screwing over one another. Everything is built to continue even when it is being attacked. An endless supply of worker await to replace the ones that disappear or break, their value placed perfectly balanced between absolute despair and insecure. The managers, CEO's and shareholders are many arm lengths away without ever having to feel the consequence of their actions or activity, as well as the out sourced and distanced resources, animals caged in unknown lands. Or we could look at the building a furniture itself removable and plastic easy to clean and replace. And the customer provided with low prices, unbeatable hours and stores on every high street. All they need do is wait and business continues as usual 24/7.

McDonalds are reduced to an empty emblem of passing capital, no reason, no value and no importance. Creating a space which means no exclusion. The fact "no one cares" it provides a space for the uncared for. The sad, the lonely, the stupid, the different, the drunk, the sick, the ill, the homeless, the paperless, the beggars, the alcoholics, the drug users, the hopeless, the ugly, the bad, the unprofessional, the unemployed, the overemployed, the unsociable, the old, the young, the slow, the fast, the ...

But im not really interested in Mcdonals i'm interested in what it reflects. The places these people can't go. The complex prison we pass though in and out of, notice and ignore. The places where not everyone is welcome.

————————————————————————————————————————— This is apart of a series of Reformulation* writings of and around choreography, posting once a week ever sSunday If you have comments you can leave then on my facebookwww.facebook.com/thepersoncalledpeter or my wordpress stillpeter.wordpress.com . Kindness and Sweetness PETER *http://reformulationhandbook2013.tumblr.com/

[peterpeteringout]

Dance your PhD ~ video

A conversation caught my eye because I myself am an advocate of amateurism and against professionalism. For me the professionalisation acts as a form of domination which is unhelpful but with that being said I believe there is benefits from being experienced in a field as long as it is not dominating it.

So i decided to challenge and take on my own argument and write some reviews of the videos as a way to critically view the pieces from my perspective as a choreographer.

Reviewing the videos within a frame of reviewing, rewriting, retexting, reusing, dance videos which i have been doing every Sunday for the past few months at http://peterpeteringout.tumblr.com.

I'm writing this before starting watching or writing about the videos, and hope that the outcome gives an impression of how these videos could be seen not only as dance and choreography but as great additions to dance and choreography.

ok first video (the one is question the winner of 2014)

Plant-soil feedbacks after severe tornado damage: Dance Your PhD 2014. ~ video

When I first think of operating together in a space I believe that every little event plays a part, that we our relations values communities and actions are a composite of all that leads to that place.

Effect and effected, one of the striking things is the type of people and the presumptions I apply. o dreadlocks o on a trapeze o shes a biologist. But does this effect?! The same as; the order of things or the framing or the music?! I know I think about it but whether there is a clear effect I don't know.

I would rather think it like every part is apart of a melting pot and as things add combine they inform and continue to inform without one thing being more or less the thing which constitutes the generalised tone or feeling but that the generalised tone or feeling is not one thing but many. many simple things, basic things.

Brown shake life reflects moves shifts feels change chance undo redo reorder thrive breath feel together importance

Like a list with all their associations and combinations a seaming complex general feeling from a multiple of basic components.

Brown - royal snake la, shake - make distill cake, life - real can feel gives kiss, reflects - tech, moves - choice do's and does, shifts - lives again rain, feels - peel, change - chance happenhance, chance - relative mass, undo redo reorder - renew true accord, thrive - ties my eyes, breath - fears, feel - be real, together - never and forever, importance - question.

Mine and find lives parts happy and as part.

Plant-soil feedbacks after severe tornado damage: Dance Your PhD 2014 from atinytornado on Vimeo.

So back, that was interesting perhaps because i have put this within this context i describe more and tried to make sense. I will do another, winner of the audience choice.

Multiple Robots - Dancing Tango ~ video

Collide Collide Collide Collide

Be come together become

What are we without mistakes.

tango music hits bangs bumps and meets me.

desperation rides through me like an unstoppable urge for action.

I feel the absence the loneliness of never meeting never understand or those near misses the close encounters the brushes with touch combination and becoming one, the glides of 1 in the binary series of on off on off 1 0 1 0 1 0

0 holds on maintain and gains as the hope the promise of 1 alludes the most romantic of individuals.

Love

Multiple Robots - Dancing Tango from Venanzio Cichella on Vimeo.

I really enjoyed that one. ok one last video. It is where "dance your phd" started when some students asked there teacher if they could make a dance about Protein synthesis.

Protein synthesis: an epic on the cellular level ~ video

Form and value disrupts and narrates, the shifting in value attention and play does not provide another over lord. nah places use inbetween within places unseen. ghostly apparitions and miracle begin. Mine is a third not of this erk part in part formed and important but less of both and both of each with space inbetween. To arise and fall to follow and prey. faith in faithless causes bring forth a story unsordid to be experienced a felt and left if with unhelpful. Mind in adventure a heavenly plodding and time in play. messy give mind and fine and find holding tight around guess at unknown bounds.

bliss with a kiss.

woo woo woo peptide bond.

clipping clipping clipping inside

Released in its glee.

I have to say i advocate "dance your PhD" because i truly believe dance and choreography have so so so much to offer, to everyone. It inspires me to see such inventive and exciting information put in these eloquent gestures majestic, exciting, adventurous and promising ways. Promising of a place where hierarchy and power is not used for domination but for adventure, love, compassion and everyone.  

————————————————————————————————————————— This is apart of a series of Reformulation* writings of and around choreography, posting once a week ever sSunday If you have comments you can leave then on my facebookwww.facebook.com/thepersoncalledpeter or my wordpress stillpeter.wordpress.com . Kindness and Sweetness PETER *http://reformulationhandbook2013.tumblr.com/

[peterpeteringout]

Hangover ~ Video

HEART BROKEN IN TWO:- Sleeping on train »»> Making a sandwich ……. Moving cardboard |||||| Happy heart, playing in the park !!!!!!! Together }}}}}}}}} lying on back watching the stars ]]]] Thinking about the next game of thrones ===== Smiling ,««< Crying “”“”“”“”“” open REAL BAKEDBEANS DON’T COME FROM A TIN THEY COME FROM THE HEART. ########HANGOVER BY CSS MARKS A PASSING OF TIME BY DEMONSTRATING A OUT OF TIME PLACE&&&&&&&&&&&&&I FEEL I KNOW LESS ABOUT WHAT I WANT AND WHAT IM DOING APART FROM THAT I AM DOING, THERE SEAMS TO BE A LACK OF VALUE IN THINGS WHICH BREAK WITH THE EVERYDAY*****************THE LOVELY LINE BETWEEN THE TWO PLAY AN IMPORTANT ROLE BUT DONT HAVE A ABSOLUTE ANSWER^^^^^^^^^^^^BUT A CLEAR QUESTION@@@@@@@WHAT WILL WE DO WHEN WE ARE ALL UNEMPLOYED?~~~~~~~~~~~~~~~~~HANGOVER FROM LIFE AS WE KNOW IT+++++++++++++++++WHATS NEXT“““““““““`UFL_________PARTY PIZZA PRANCING PLANKING PLOPPING PEERING WHATEVVER THANK YOU CSS Lovefoxxx Luiza Sá Ana Rezende Carolina Parra

————————————————————————————————————————— This is apart of a series of Reformulation* writings of and around choreography, posting once a week ever sSunday If you have comments you can leave then on my facebookwww.facebook.com/thepersoncalledpeter or my wordpress stillpeter.wordpress.com . Kindness and Sweetness PETER *http://reformulationhandbook2013.tumblr.com/

[peterpeteringout]

Chair (1974) ~ Video

I'm here watching Chair in Kungsholmen Library 26th of October 2014 at 12.00 after a morning of cleaning because of sliver worms in the hallway. Missing something well here we are.

Repetition is a tool so familiar yet still miss understood. What do we mean when we say something repeats. The dance was repeated six times or was it six version of the show shown at different time. The film has been played 337 times, repeated 337 times but not seen the same 337 times as that would need for conditions of the viewer to be the same. But yes if repetition can be isolated from its context like the tree falling in the woods its repeats.

But where is the repeat starting and finishing. Repeat a day. Repeat the passing through the hallway. Repeat a fall. Repeat the movement and reverse and repeat again or but yet we see it. We understand process.

The long repetitions are hard to understand as singular things, they pass like history passes. But the small looped movement in see understood and becomes apart of a language it is understand as a thing and a single, like the ticking of the clock it is understood.

When we stand in front of a painting it is done complete ready for consumption ready to be used applied to the viewers options ideas and life. But the performance continues one must wait before passing judgment before using it as it is not whole complete. This incompleteness is one of my difficulties with dance its hard to watch. Yet other performative long duration art pieces are not in the same way. And here i proposal it has to do with what is demonstrated with these two different types of repetitions. Where performance art would most often be the long repetition and paintings etc the short.

The chair is perhaps one of the shortest repetition of a art object. It is unquestionably finished, as in it is a chair and even when questioned, played with we still managing to hold onto is completeness.

Where as these bodies they are not they are difficult hard to pin down, We think we know but really we don't know, even when still, standing, holding a single form, they allude conclusion.

It's a circus in there.

Thank you

Work by David Gordon Performed by David Gordon and Valda Setterfield Recorded in performance on September 30, 1978

————————————————————————————————————————— This is apart of a series of Reformulation* writings of and around choreography, posting once a week ever sSunday If you have comments you can leave then on my facebookwww.facebook.com/thepersoncalledpeter or my wordpress stillpeter.wordpress.com . Kindness and Sweetness PETER *http://reformulationhandbook2013.tumblr.com/