Why is everyone acting so fucking cursed toward us today.
If anyone feels like showing some sort of appreciation in any form, please. We're quite in need of it atm.

seen from Portugal

seen from Portugal
seen from China

seen from Bangladesh

seen from Belarus

seen from United States
seen from Hong Kong SAR China
seen from United States

seen from United States

seen from Canada
seen from Italy
seen from Germany
seen from Belarus
seen from United Kingdom
seen from Canada

seen from United States

seen from Australia
seen from United States
seen from China

seen from United Kingdom
Why is everyone acting so fucking cursed toward us today.
If anyone feels like showing some sort of appreciation in any form, please. We're quite in need of it atm.
je n’entends plus aucune voix #AngéliqueAubrit & #LudovicBeillard At #CentredartcontemporainlasynagoguedeDelme, #Delme, #France April 24 — July 12, 2021 🔗in stories @ludovicbeillard @i_saw_you_in_my_dreams @cac_synagoguedelme #duoshow #duoexhibition #artresidency #delmeexhibitions #artshow #sculpture #installation #art #contemporaryart #ofluxo #ofluxoplatform @ofluxoplatform (em Delme, Lorraine, France) https://www.instagram.com/p/CRgdQ6hFV39/?utm_medium=tumblr
Their New Power (Head), 2020, installation view, Centre d’art contemporain—la synagogue de Delme, Delme, France. Photo by O. H. Dancy. Courtesy of the artist.
Unattainable Models and Personal Utopias: Zuzanna Czebatul Interviewed by Isabel Parkes
Zuzanna Czebatul interrogates how both monuments and movements take shape. She often relies on familiar architectural and commemorative forms such as columns, pedestals, and busts which she builds up in order to better break down. At times, including for her current solo exhibition, The Singing Dunes, at the Centre d’art contemporain la synagogue de Delme in Delme, France, she empties spaces in order to amplify what’s already there.
Siegfried’s Departure, 2019, installation view, Center for Contemporary Art Futura, Prague. Courtesy of the artist.
T-Kollaps, 2019, installation view, Gdańska Galeria Miejska 1, Gdańsk, Poland. Photo by Bartosz Górka.
Vortex (New Day Company), 2020, installation view, Centre d’art contemporain—la synagogue de Delme, Delme, France. Photo by O. H. Dancy.
Zuzanna Czebatul at Centre d'Art Contemporain La Synagogue Delme
"Digital Gothic" at Centre d’Art Contemporain La Synagogue Delme
Jean-Luc Moulène at Centre d'Art Contemporain La Synagogue Delme
Tumblr is not the same today.
I keep wanting to come to it to scroll and feel nice when I'm in between doing things.
I keep getting more hurt instead
Fml and fuck ableism fam
As a sidenote. If you want us to see anything today, tag or dm us about it please. Tumblr needs to be used differently today so we might miss things.
Today we woke up from very fucky dreams. We made a noise to call out Emm. She says it's cute and she likes it. We stretched our arms out for a hug, as we always do, wanting to tell her about our latest disturbing dreams.
We skimmed through four paragraphs and a half earlier before we stopped ourselves. This is the fifth paragraph.
disclaimer: some people have mentioned a discussion about hating this text being a white thing? we're not white fyi
Gang it's scary. This is us word for word. How do I not want to read this if it describes us so accurately.
And this is about dumping the girl who can't live on her own?
Does the author want us dead? Do other people like her want that too?
I'm scared.
I'm scared I'm scared I'm scared I'm scared I'm scared I'm scared I'm scared