Travel Chair by Naoto Fukasawa for Vitra #naotofukasawa #vitra #rimowa #designasart #artasdesign #japanesedesign #travelchair (at Copenhagen) https://www.instagram.com/p/CeL28lxICii/?igshid=NGJjMDIxMWI=
seen from Chile

seen from Indonesia

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seen from Indonesia
seen from Norway
seen from China
seen from Bangladesh
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seen from United States

seen from United States
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seen from United States
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Travel Chair by Naoto Fukasawa for Vitra #naotofukasawa #vitra #rimowa #designasart #artasdesign #japanesedesign #travelchair (at Copenhagen) https://www.instagram.com/p/CeL28lxICii/?igshid=NGJjMDIxMWI=
Celeste heading to it's new owner !!! #kassaobjects #celeste #grey #maroon #makeinindia #designasart #leatherlove #bags #accessories (at KASSA)
OPEN TODAY 12-4 PM. BACK IN THE BOOKSHOP: BRUNO MUNARI - DESIGN AS ART (1987) First english edition of this long out-of-print major hardcover monograph on Bruno Munari. Published by The MIT Press in 1987, this was the first comprehensive book on his work, and was itself designed by Munari! Clothbound, in original dust-jacket, protected in plastic sleeve. Foreward by Andrea Branzi. One of the last surviving members of the futurist generation, Bruno Munari has been the enfant terrible of Italian art and design for most of this century. Munari was born in 1907 in Milan and it was against the active background of futurism that his artistic experiments developed, but his mechanical fantasies, practical inventions, and didactic writings continue to be enjoyed by a public that has no memory of Balla, Prampolini, and Marinetti. Munari's 40-odd books, ranging from futurist manifestoes to design manuals to children's books, have been widely read in many languages. But this book, itself designed by Munari, is the first comprehensive account of his total achievement. Here are the Unreadable Books (that told stories through the possibilities of typography, papermaking, and binding), Traveling Sculptures, Fossils of the Year 2000, Theoretical Reconstruction of Imaginary Objects, Original Xerographies, Negative Positives, and the famous Useless Machines of the 1930s (constructions for wagging the tails of lazy dogs, predicting dawn, making sobs sound musical) as well as numerous other works, some published for the first time. The hundreds of illustrations, many in full color, recreate Munari's relentless inventiveness, his love of irony, chance and humor, his intensely experimental orientation and constantly fresh approach to new technologies and materials. One copy in the bookshop today and via our website. #worldfoodbooks #brunomunari #andreabranzi #1987 #mitpress #designasart (at WORLD FOOD BOOKS)
Blackadder stage design 2016 a combination of real design and 3D projection #setdesign #setdesigner #projection #blackadder #designart #encoretheatrecompany #theatre #theatredesign #designasart (at Tasmania)
Found my copy buried in the back of the shelf #designasart #brunomunari (at Montreal, Quebec)
#maximgorky #designasart
Reading notes of Design as Art (Bruno Munari)
“When the objects we use every day and the surroundings we live in have become in themselves a work of art, then we shall be able to say that we have achieved a balanced life.”
(There is mostly balance between a material life and an ideal world)
“It must be understood that as long as art stands aside from the problems of life it will only interest a very few people. Culture today is becoming a mass affair, and the artist must step down from hid pedestal and be prepared to make a sign for a butcher’s shop (if he know how to do it).”
(That’s really classic idea of how art connect more closer to the real life)
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And some notes from my note book.