Diane Simpson, Formal Wear also at the American Academy of Arts and Letters.
They’ve been building an incredible textile and material culture program here, been blown away every time I swing through.
seen from Türkiye
seen from Hong Kong SAR China

seen from Türkiye

seen from United Kingdom
seen from Russia
seen from United States
seen from United States
seen from United States
seen from China
seen from Israel
seen from Netherlands
seen from Puerto Rico

seen from United States
seen from United States

seen from United States
seen from China
seen from Finland

seen from Russia
seen from United States

seen from United States
Diane Simpson, Formal Wear also at the American Academy of Arts and Letters.
They’ve been building an incredible textile and material culture program here, been blown away every time I swing through.
See sun, and think shadow Gladstone Gallery, New York
Diane Simpson
June 23 – July 30, 2016
Diane Simpson
Christina Ramberg at KW Institute for Contemporary Art
THE WEEKLY PIC: This is “Peplum IV,” a 2015 piece by Diane Simpson. She’s a veteran artist from Chicago who is getting a sort of mini-survey in this year’s Whitney Biennial, in a room of her own down on the museum’s entrance floor. (I admit to having missed it on my first visit to the show, when I spent all my time in the main galleries upstairs.)
One way or another, almost all the near-abstract works on display in Simpson’s spread derive their shapes from clothing, usually women’s clothing, as far as I can tell. (A “peplum” is a kind of waist-level flounce on a skirt.) Although there’s now a rich tradition of women artists referencing traditional “women’s work” – and Simpson must have been an early adopter of that trope – I’m especially taken by her use of metal to do the referencing. I like the way it turns ladies’ clothes – even a floaty flounce – into armor. (Photo by Lucy Hogg)
For a full survey of past Pics visit blakegopnik.com/archive.
Diane Simpson - Jabot (with pauldrons), 2018
129.5 x 99 x 50.8 cm
Diane Simpson at Herald St in London
Box Pleats, 1989. Stain and colored pencil on MDF and wool. 46 x 42 x 20 in