#digitalartexhibition

[alisonlittleartist]

February’s newsletter is out now on alisonlittle.blog 💌 This month brings together grief writing, flash fiction, digital art, political storytelling and reflections on place – from a deeply personal letter shown in a London memorial exhibition to new media work in Liverpool, urban architecture in Manchester and intimate stories shaped by memory, loss and survival. A quiet, powerful month of art, culture and creative life.

February Newsletter

[alisonlittleartist]

Last day tomorrow, Bassam Issa Al-Sabah, FACT Liverpool

👉

Can People Escape the Neurophoria? – A Powerful AI & Digital Art Exhibition at FACT Liverpool

Discover Can People Escape the Neurophoria? at FACT Liverpool – a powerful new media and digital art exhibition exploring artificial intelli

#FACTLiverpool #DigitalArtExhibition #NewMediaArt

[alisonlittleartist]

FACT Liverpool

👉

Can People Escape the Neurophoria? – A Powerful AI & Digital Art Exhibition at FACT Liverpool

Discover Can People Escape the Neurophoria? at FACT Liverpool – a powerful new media and digital art exhibition exploring artificial intelli

[alisonlittleartist]

FACT Liverpool

👉

Can People Escape the Neurophoria? – A Powerful AI & Digital Art Exhibition at FACT Liverpool

Discover Can People Escape the Neurophoria? at FACT Liverpool – a powerful new media and digital art exhibition exploring artificial intelli

[destiniesofsenses]

Pilar Pérez Camarero, visual artist and university professor at the Auónoma University of Madrid. Doctor of Fine Arts at the UCM and Expert in Art Education at the UCM. Postgraduate in Analytical Psychoanalysis at Ramón Llull University of Barcelona. I was a research fellow at the CSIC, Department of Anthropology, during the development of my doctoral thesis. Lines of work: imaginary, visual culture, children's drawing in graphic realism, interculturality, gender, popular culture, performance. Among the latest artistic exhibitions and performances: The individual exhibition "Little Red Riding Hood sometimes combs pigtails" 2014 in "Granny's house" in Madrid. From the project “Angelic, Sweet and Furious Virgins” individual exhibition at the Palace of San Galgano in Siena in 2009, continuation of this project with portuguese women from 0 to 100 years old “Virgens, Angélicas, Doces e Furiosas de Portugal”, individual exhibition at the Grao Vasco Museum, Viseu in 2018. As a performer, I would like to highlight the longitudinal performance "Postbolonium Uniform" from 2011 to 2015. “Foreigner” in “Le vent se lève” CNAM in Paris 2016. In Walvis Bay “Je parle le français comme une vache espagnole et j’en suis fier”, Insea Congress 2018. My line of work brings together artistic creation with academic writing work, as well as workshop interventions, always with an intercultural and interdisciplinary perspective within artistic education.

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Pilar Pérez Camarero, artista visual y profesora titular de universidad en la Universidad Autónoma de Madrid. Doctora en Bellas Artes por la UCM y Experta en Educación Artística por la UCM. Posgraduada en Psicoanálisis Analítico por la Universidad Ramón Llull de Barcelona. Fui becaria de investigación en el CSIC, Departamento de Antropología, en el tiempo de desarrollo de mi tesis doctoral. Líneas de trabajo: imaginario, cultura visual, dibujo infantil en el realismo gráfico, interculturalidad, género, cultura popular, performance. Entre las últimas muestras artísticas: Como artista significo la exposición individual “Caperucita a veces peina coletas” 2014 en “La casa de la abuelita” en Madrid. Del proyecto “Vírgenes Angélicas, Dulces y Furiosas” exposición individual en el Palacio de San Galgano en Siena en 2009, continuación de este proyecto con mujeres portuguesas de 0 a 100 años “Virgens, Angélicas, Doces e Furiosas de Portugal”, exposición individual en el Museo Grao Vasco, Viseu en 2018. Como Performer destaco la performance longitudinal “Uniforme posbolonio” De 2011 a 2015. “Extranjera” en “Le vent se lève” CNAM en Paris 2016. En Walvis Bay “Je parle le français comme une vache espagnole et j’en suis fier”, Congreso Insea 2018. Mi línea de trabajo reúne la creación artística con el trabajo de escritura académica, así como las intervenciones tallerísticas, siempre con una óptica intercultural e interdisciplinar dentro de la educación artística.

More about Pilar: http://pilarperez.com/

[designcollector]

Submitted by @digital.decade on @designcollector Instagram

[royking]

Fantastic exhibition at the @shifteyegallery titled "Tutaonana Siku Za Usoni" - Digital Rdflections of a Kenyan Future. Goethe Institut Kenya collaborated with @ihub on three projects, the works on View are Futurescape by Odipo Dev an experiential data based simulation on the future in kenya ( Bloody Fantastic ), Relay Point Omega by Alexander Ikawah a fantastic futuristic movie based on Nairobi and issues relating to Income Distribution and classes and lastly Zamani Yajayo by Melisa Allela and Lenny Njagih which is an animated Shortclips based on different Kenyans options of the Future of Kenya in Fifty Years it's awesome you could spend a whole day watching them. All in all pass by exhibition opened today! Make a point to come through... #digitalartexhibition #shifteyegallery #goetheinstitutkenya #art #digitalart #igkenya #kenya #nairobi (at The Shifteye Gallery)

[reblogartistagh]

BROKEN THOUGHTS digital art exhibition 2014

A 3 DAY SOLO DIGITAL ART EXHIBITION BY IAN QUHACHI (ARTIST) AND CURATED BY MAGDALENE WILLIAMS(ART CURATOR). THIS HAPPENED TO BE THE VERY FIRST TIME ARTIST WAS EXHIBITING AND FIRST TIME CURATOR ALSO CURATING. ALL 3 DAYS WERE SUCCESSFUL.ENJOY THE VIDEO

DATE: 6TH - 8TH MARCH, 2014

VENUE: FREBE MALL, TAKORADI

ARTIST: IAN QUHACHI

CURATOR: MAGDALENE WILLIAMS