alyeskandragon replied to your post “I watched Bright, which I had been looking forward to since the first...”
Wait. What? I want to watch the movie you watched because mine called out the senseless LAPD violence (they are notoriously the most corrupt police force), had a biracial couple (that Will Smith has been wanting since Hitch) and incorporated (seamlessly, i might add) many different cultures and told us all that we're assholes.
I must admit, I’m slightly puzzled, because, well - none of your points actually address or refute any of the things I talked about in my post.
Yes, the movie shows police violence - but, apart from a couple of comments, like the “fairy lives don’t matter” one, it just felt - for this Dane - like a pretty standard Hollywood gritty cop drama level of violence, apart from the shiny magic. It has a biracial couple - well, yes? Not that Ward’s wife is particularly prominently featured, but yes. So does Sense8, The Flash, LoT - sorry, my current American media consumption does not leave me finding that weird? And it incorporated many different human ethnicities and cultures, yes.
It’s still crappy urban fantasy world building.
See, the Orcs? They are shown to be pretty much monocultural, which makes no sense. We get references to them being in Russia, so that’s at least two-three continents that species is spread over. They should have many different cultures. Many. How did they even come to the US? Did the immigrate, where they always there? And the Elves - another monocultural species, apart from a tiny, secret minority of Dark Lord worshipers.
The thing I am unimpressed with is that this movie, Bright? It takes a buddy cop movie dealing with racism and a plot involving a macguffin, and it scatters a bunch of high fantasy species and tropes across it, without any proper worldbuilding to support it. It’s like - every reference in this movie is for a world like ours, exactly like ours - our history, our cultural products. It references Shrek, it references Alamo. Except not, because on top of all the real world history, we are supposed to accept a narrative involving multiple sentient species co-existing on this planet and a Dark Lord getting defeated 2000 years ago. But apart from that, everything is exactly the same.
There is a freaking dragon flying the skies above LA and I am supposed to imagine a world where anybody would make the movie Shrek?
It’s sloppy, lazy, crappy world-building, of the sort you get, when urban fantasy gets reduced to a metaphor for real world social issues. Exactly like you get sloppy, lazy, crappy world building, when high fantasy gets reduced to something that needs be psychoanalyzed.
And it’s probably because of the very points you find so important that the urban fantasy of this movie is done so badly. Because the movie makers have prioritized the metaphor over the world building. Because frankly? Making urban fantasy all about being a metaphor for RL issues? Bad idea. You end up with True Blood, where “oh, the vampires are a metaphor for LGBT+ people getting persecuted by religious fanatics”, which works right until you realize that the majority of said vampires are mass murderers. You end up with Being Human, where the werewolf was apparently a metaphor for anger management issues, except he had those on top of the lycanthropy as well as just being more and more of an asshole the further the series went. And you end up with Bright, which is so busy with its metaphor for racism and police violence that the fantasy aspects of the world are never properly integrated into the world and its history.
And that was an awful lot of words for a movie that I didn’t even particularly like.