
seen from Netherlands

seen from Malaysia
seen from Yemen

seen from Malaysia

seen from Malaysia
seen from Russia
seen from Türkiye
seen from United States
seen from Hong Kong SAR China
seen from China

seen from United States

seen from United States
seen from Singapore
seen from Ireland
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seen from United States
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seen from Norway

seen from United States
A favorite underrated genre of music is gibberish like Björk in Bath and much of Drawing Restraint #9. You don't know what she's saying so you have to interpret based on how it makes you feel.
You can't decode it with a lyric sheet or break it down line by line. You feel it. its rhythm, its desperation or wonder or strangeness and that interpretation is yours alone. Like glossolalia or invented lullabies, gibberish taps into pre-linguistic memory, or the idea of music as pre-thought communication. It feels ancient and avant-garde and visceral and primal.
"DRAWING RESTRAINT 7" MATTHEW BARNEY // 1995 [book in plastic box and silk ribbon | U/D]
MATTHEW BARNEY FUCKING MY EYES
Me to my brain: we know now that "drawing restraint" is not a synonym for showing restraint, you just inferred this from the works of Matthew Barney, it is not a known phrase
My brain: draw some restraint. I am drawing restraint. restraint? Has been drawn, I believe
DRAWING RESTRAINT 2, Matthew Barney. 1988.
I know how sellout-y it is that there was both Drawing Restraint 9 and Cremaster 'merch’ but gonna be honest here and admit my love for these patches knows no bounds.
For those curious, a set of 5 Cremaster patches is going for about $400 on Etsy, and I can’t find the DR9 patch selling anywhere online.
Some of the costumes in Matthew Barney’s Cremaster Cycle and Drawing Restraint 9.