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Surf Avenue, Coney Island. New York, 1904-1915.
Cyanotype print made on an old photographic enlarger directly from a photographic dry plate (glass plate) without using a conventional contact printer and digital negative processing by என் பெயர் Ryo Via Flickr: printed directly from an antique original glass plate: taken in 1900 / measures 5" x 7" on a cheap watercolor printing paper / exposed for 5hrs Jacquard cyanotype kit (Potassium Ferricyanide & Ferric Ammonium Citrate) & soy milk (protein) Toning: mixture of jasmine tea Enlarger: Hansa patent enlarger in 1933 w/ Anastigmat F=125, 1:6.3 Film carrier: none Light source: High power (50w) UV LED unit (SMD=surface mounted LED modules) New group was created. If you like, please join. [www.flickr.com/groups/cyanotype_wenlarger]
c. 1890s silver dry plate.
Standard Dry Plate Co. box, 1908, from the collection of the Chemung County Historical Society
so, my great grandfather died recently and my grandpa inherited a camera from him (it was originally my great, great grandfather's) it's a dry plate field camera (this is all i know) and i was wondering if anyone here knew how to work these? 'cause i have a vague idea but i really don't know. google hasn't been very helpful and i really don't want to try and make gelatin emulsion of silver bromide and dip glass in that. neither me nor my grandpa know how to set the camera up, any help would be so incredibly welcome.
Photographer John Hunt demonstrates how to make a sliver gelatin dry plate on glass and print on it.