#e price

[inkletting]

Laziness Does Not Exist – E Price – Medium

Psychological research is clear: when people procrastinate, there's usually a good reason

[anastasiaoftheironwood]

Laziness Does Not Exist – E Price – Medium

Psychological research is clear: when people procrastinate, there's usually a good reason

“People do not choose to fail or disappoint. No one wants to feel incapable, apathetic, or ineffective. If you look at a person’s action (or inaction) and see only laziness, you are missing key details. There is always an explanation. There are always barriers. Just because you can’t see them, or don’t view them as legitimate, doesn’t mean they’re not there. Look harder.“

I go through this with clients and their “problem employees”. The employee is not trying to fail; they are trying their damnedest to succeed, but something in the process/procedure/environment needs adjustment. Rarely, there is an employee who does not want to be there and does not want the job, and that person can’t be worked with. But for the others, all it takes is some minor adjustment, and suddenly they’re a model employee. It’s so much better for everyone when the employer will take the time to sort it out, instead of just firing them.

[archivedritaortiz]

001

Rita cares a great deal about her look, her aesthetic. It isn't necessarily her priority, however. Looking great isn't for a man nor for her business—although it does help in both cases—but it's the general impression a well-dressed woman provides. 

It ties into her mentality and attitude towards her work. Fashion is driven by similar thought processes as story telling. If there ever was a Rita Ortiz made film, it would be extremely polished with all aspects tied together as a singular force. It's only natural that it spills over into her clothes. Rita doesn't really spend her hard-earned money on any accessories. Perhaps, she'll treat herself to something every once in a while. What she really cares about are the patterns. With the war over, she's glad there's gradually more choice for less money. She's definitely going to try to get one of these sweaters for the winter or even one of these nice looking these for her day-offs.

That's all for her spare time—a waning luxury. At the studio, she dresses plainly. A light-coloured cotton blouse is a guarantee, perhaps the collar will be switched up to still prove a sense of flair. In the war years, she would wear trousers. Nowadays, less so with more skirts. At the studio, her appearance doesn't matter as much. She's not the star in front of the camera, but certainly the force behind it. 

Most linked images taken from the 1952 catalogue.