My Favorites among the Bb. Pilipinas National Costumes
With today’s start of the Photo Exhibit of the Bb. Pilipinas 2020 candidates in their National Costumes, allow me to share my favorites among them. I picked this eight (8) for various reasons as briefly described below:
Paolo Ballesteros for #Binibini29 Honey Cartasano: Very inventive, larger than life and with the best cultural inspiration used for a NatCos;
Macoy Elipane for #Binibini24…
Here are photos of the Edwin Uy Filipiniana national costume that Miss Grand Philippines 2019 Samantha Lo was supposed to wear onstage during Miss Grand International 2019. That is, until it got held in Paris along with the other luggage of our representative.
Thankfully, the creation has now been flown back to the Philippines.
Edwin Uy's clients' tight budget and request for a low-maintenance house compelled him to execute modern design solutions that inevitably led to an environment-friendly and affordable home.
(...) the best architects (and clients) are the ones who know when to open this providential window that often results in designs that truly work. Edwin Uy is one such architect, particularly in the case of a house he designed in an exclusive village south of Manila. He describes the overall design as something that just “came together,” but thanks to the strength of Uy’s aesthetic, the end result looks neither haphazard nor half-hearted. Construction started in 2012 and was completed two years later due to budget constraints. Earlier this year, it was cited for merit by the BCI Asia Green Leadership Award 2016.
Uy did not set out to make this house a “green home,” but his clients’ tight budget (only P4 million!) and request for a low-maintenance house—practically the only directions they gave him in the beginning—compelled him to execute modern design solutions that inevitably led to an environment-friendly and affordable home. But it wasn’t an easy journey; Uy flexed his problem-solving muscles overtime to stretch every peso and still deliver a home his clients would appreciate and enjoy.
Uy also lined the back wall of the house with these small windows. Besides being much less expensive and easy to clean, the glass louvers allow more air in than sliding glass doors, which can only be opened halfway. Hot air never accumulates in the house. In fact, there is always an enjoyable breeze wafting in, refreshing the interiors, and exiting out and up the core of the house, where everyone’s gaze tends to linger because of the refreshing greenery. The pole bamboo Uy planted in the ‘silong‘ of the house has since grown a few feet past the first floor, its lissome branches reaching for the sky.
It was in Edwin Uy’s choice of materials where he really made a difference in savings. “The only way to get around the tight budget was to make the structure itself lightweight,” he explained. This would help save on load-bearing materials such as beams and columns. His solution, the south-facing side of the house, which never fails to capture the attention of passers-by, was inspired by his clients’ personal story. The wall is made of lightweight plastic oil containers from Shell, where the couple worked and met before they embarked on a life together (the husband’s father also worked at Shell). “That’s our love story so it’s really the soul of the house,” Uy’s clients said.
One unforeseen benefit of leaving surfaces unpainted and unvarnished is the homeowners’ children have learned to recognize, appreciate, and respect materials, their uses, and their limitations. The eldest son has been using the I-beams in his room as a magnetic board for displaying his scribbles. “He used the space and made it his own with no one telling him what to do with it,” Uy said. The mother also recounted how her son, when showing classmates around the house, would talk about the different materials—concrete, cement board, hardwood, plywood, steel and plastic.
Written by Sibyl Layag | Photographed by Ed Simon of Studio 100
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Photo credit: Andy Cayna for Sash Factor
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