Hi! This is very random but I was wondering what made you decide to structure Atandil as a series of interconnected one-shots instead of as a longfic? I really love the way you weave back and forth between timelines – was the non-linear narrative the main appeal for you? Or were you not keen on a chaptered longfic for another reason? Thank you ❤️❤️
Oh this is such a great question! So there is a short (and not very interesting answer) and a longer (hopefully more interesting one). I will give you both. :)
The short one:
I have never written fanfic at all until this series and have also never been involved in online fandom either until about a month or two before I posted Part 1. Consequently I know absolutely nothing about fic best practices or common structures, nothing about “fanon” at all, and I went into this not even realizing I needed to know how to tag things or that there were tropes writers used to categorize or describe general structures. Basically it’s just been me and my Elf obsession hanging out alone in my head for 20 years? Anyway, this story showed up one day (which is another funny story but I won’t get sidetracked on it in this post) and I basically just *needed* to get it out. Which is how we are here. To sum it up, I did a series because I didn’t know it would probably have made more sense as a chaptered long fic 🤦♀️ Ah well.
The longer one:
Yes, having it nonlinear was the primary appeal of breaking it up as a series. (In my know-nothing-about-fanfic-head, I assumed nonlinear meant series by default instead of chapters.)
Having it nonlinear was something I’ve always wanted to utilize in the structure because part of what it’s exploring is the whiplash of Elves interacting with mortals in this kind of timespan. It’s only about 150 years between Finrod discovering them and Finrod dying in Tol-in-Gaurhoth, which is a piddly little bit of time to a being with serial longevity for the duration of Arda.
And yes, I know there’s the passage where Tolkien talks about time passing for Elves at the same rate as for Men, but at the same time it would have to feel different, just by ratio. The older I get, the shorter every year seems - and I’m only 35. Finrod is in his 2,000’s at the time of the story so a hundred years is a proportionally small chunk that would feel quite fast, even if it’s technically passing at the same rate, because it’s such a small percentage of what he had lived already.
Hence the nonlinear structure. It gives the reader the same whiplash as Finrod is having, where all of this is happening in such a “short” span of time that it feels all crushed up on top of itself - almost as though it’s all happening at once. So you have Belen as an 18 year old running around in games and laughter one moment, and in the next he’s in his 90’s and on the brink of his own passing. It’s all at once. This aspect jumped out at me when I was reading the Athrabeth and Finrod’s like “well I was hanging out with Bëor a hot second ago” and Andreth replies with “…..buddy, he’s been dead for a…century?” Everything about this is utterly incomprehensible for Elves trying to get accustomed to mortal lifecycles in this mind-bogglingly short amount of time.
Presenting it as solo chunks also lets them function as a kind of kaleidoscope of memories, pieced together by a kind of natural association (which is why I’ve also tried to have deliberate contextual or thematic tie-ins for each, like a mind’s free association might follow). This may not fully find its landing until the epilogue, but the function of memory and *how* things are remembered is also key in this. “The life and love of the Eldar dwells much in memory,” “In memory lies our great talent”Etc.
Thanks so much for this ask! It was so fun to get to talk about this. :)