Liz Porter

seen from United Kingdom
seen from United States
seen from United States
seen from Lebanon

seen from United States
seen from Netherlands
seen from Russia
seen from United States

seen from United States
seen from United States
seen from United Kingdom
seen from United States
seen from Russia

seen from United States

seen from United States

seen from Germany

seen from Brazil

seen from Malaysia

seen from Malaysia

seen from Malaysia
Liz Porter
Polaroid film emulsion lifts I made from a few years ago. Definitely want to get back into making these!
Notes on emulson lifts
I’ve got a big update post on my Patreon so if you want to support my creative efforts, you can get an in depth look what I’ve been up to there. However, I wanted to put something out there for educational purposes in regards to something I’ve started to dabble in regarding emulsion lifts.
Analog Things’ video is a great starting point for learning how to do these creative projects. He also has done big 8x10 Polaroid lifts which are astounding.
A couple of notes from my experience with my first lift:
The water should be “almost hot”: It shouldn’t be scalding but the warmer the water, the easier/faster the emulsion will lift off.
You can brush off developer once you’ve submerged the photo. In my first attempt, almost all of the developer stuck to the back of the emulsion (which is opposite of what you want to happen). However, the hot water will loosen the emulsion and you can brush it away- I’m sure this leaves scratches on the emulsion but it’s pretty much the only option at that point.
I was never able to get that ghostly backing piece (that you see at about 9:15 in the video)… I’m not sure if Polaroid color film might have a slightly different composition. At any rate, it didn’t seem to make too much of a difference in my final results.
Be extremely patient. It seems like once the emulsion is lifted from the Polaroid frame, it almost has a mind of its own and you'll probably slosh the water around too much trying to fiddle with it. Go slowly and once you have it mostly flat, slide in the piece of paper. Lifting the emulsion out of the water with your fingers is a generally bad idea as it'll curl up right away and you'll basically have to start over. However, the good news is that so long as the emulsion stays wet you can continue to manipulate it. I wound up using the back of the Polaroid I'd destroyed to press the emulsion flat against the paper while it was still under water and then pulling the whole thing out. I then use my brush to adjust the borders and smooth out some of the wrinkles.
More Emulsion Lift
Further tests of emulsion lifts.
Images are from previous impossible film Polaroid shots at beginning of project.
Emulsion Lifts on wood.
I am really happy with these. For starters I enjoyed getting ‘hands on’ with the images and I love the uncertainty of how the image is going to come out. You have to be so careful. Obviously these are not top standard, but I enjoyed doing them all the same.. Definitely something I would consider continuing on with!
Polaroid lifts onto glass. July 2015.
Here are a few photos of my process and a photo of the final product. Thanks to marrowpdx for the final shot of my piece for the Windows exhibition.
You can read about Marrow’s intent and the backstory behind their opening exhibition HERE. There is also an online gallery where you may view the submitted pieces.
Overall this was a truly exciting experience and it feels good to be participating in something so proactive for today’s youth. I was left feeling very inspired and will be experimenting with different surfaces in my free time.
Polaroid Emulsion Lifts by Lio Muñoz
Lio Muñoz is not only a talented Polaroid photographer he's also doing amazing emulsion lifts from his pictures and turns them into art pieces and collages.
Check out his tumblr: http://polaroads.com/
Or Flickr: http://www.flickr.com/photos/reskates/
(Source: Lomography)