Mire Lee Endless House: Holes and Drips 2022

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Mire Lee Endless House: Holes and Drips 2022
characters from one of Canvas stories. action takes place in an anomalous location called the endless house.
Narinea is a senior art school student, the main character, all the main plot lines are connected with her. is depicted next to the "cursed" man in the mask. he is one of the antagonists of the plot. they are connected, i can't say how yet.
the girl in the second pic is an employee of the hotel place, located inside the endless house, created to serve creatures of different kinds. her boss gave her an artifact in the form of "enchanted shoes". any object that their sole touches acquires the ability to levitate (in simple words, you stand on anything and fly it). the girl is very proud of her work, but is often busy, so she does not always have time to spend with Narinea and the bird girl.
the bird girl ran away from her flock to find a free life without rules and responsibilities.
Friedrich Kiesler
Endless House
1950
Frederick Kiesler. Endless House (La Casa Sin Fin). 1953-1959
A Page from the Drawing Papers Archive
This page from Drawing Papers 77 features a drawing, Study for Endless House, created by Frederick Kiesler between 1959-65.
The 2008 exhibition Frederick Kiesler: Co-Realities explored the pivotal role drawing played in the interdisciplinary and multifaceted work of Austro-American designer, artist, theoretician, and architect, Frederick Kiesler. The exhibition traced Kiesler’s interest in the expressive and conceptual possibilities of drawing through key projects and concepts from the 1930s to the 1960s, from his early work as a scenic designer to his revolutionary designs for Peggy Guggenheim’s Art of the Century Gallery, and his decades long investigation into the unique structure of his Endless House.
As so few of Kiesler’s installations, sets, or projects remain or were ever realized, the drawings have become key to understanding his significant contribution to 20th century thought. Kiesler’s studies of perception- attempts to represent the way we see- are among the most radical and eccentric in his work, despite their directness and straightforward representational style.
The Drawing Papers are a series of publications documenting The Drawing Center’s exhibitions and public programs and providing a forum for the study of drawing. For more information on Drawing Papers 77 please click here.
-Kate Robinson, Bookstore Manager
FRIEDRICH KIESLER, Visionary Architecture Endless House, New York 1950
Narinea from the endless house (my original story & character).
Friedrick Kiesler was a strong believer in an elastic spatial concept, one that must be capable of providing an optimum response to the varying social concerns and uses of its occupants. The initial shape of the Endless House shows a flattened spheroid, which became a basis for his Manifesto of Correalism.
One of his main arguments for the derivation of the shape is that it is based on a lighting system; a shape that would allow ample light to reach every corner of the room without being broken up by corners and interior walls of a conventional building.
In his design ‘Endless House’ shows a clear and continuous space that with curve surface which believed as one of the famous surrealistic architecture.