#evalinashryver

[azysmate]

‼️Spoilers from HOF til KOA (i think)‼️

Thinking about how Emrys was friend with Evalin Ashryver; AKA Aelin’s mom; but we don’t see him again in the series.

Sarah kept bringing past characters back for the finale; which i loved; so i wish she had brought back some people from Mistward too.

[beauxbbatons-blog]

Hekate ( Hecate) Goddess of magic & Witchcraft for: @hornedsrpents ♡

[fandomsallaroundme]

The irony is that if the roles between Oz and Salem were reversed, with him being the angry, evil one and she the victim EVERYONE would be “Yes she had to get away from him!! She’s absolutely right to take the kids!”. But because it was the contrary they’re defending her! The double standard for that one just baffles me.

I’ve been ranting about this on and off for literally an entire week lmao.

When is comes to spousal abuse, everyone - and I mean everyone - always believes it is the man’s fault first. Unless there are visible physical bruises or scars on the man’s body, the husband is always believed to be the abuser in a relationship and that is just terribly fucked up.

I’m actually really really proud of CRWBY for daring to deviate from such an expected trope and instead twisting the trope on it’s head and making the reverse true - the wife is the villain of the relationship rather than the man. Not very many writers dare to try doing that, I think, for this exact reason: the fans of the series will automatically latch onto the male character as the bad one, call him weak and spineless for not fighting back - which Oz actually did, but only in self defense and to defend their kids (which is definitely a ‘woman’s role’ in this particular story!) - and claim he was in the wrong for trying to escape the abuse.

The FNDM is, more than anything, proving that female characters are more important to them than actual logic. It doesn’t matter that Salem is a genocidal abuser, Oz should get back together with her. It doesn’t matter that Raven is a murderous coward, Qrow should apologize for turning against her and make up with her. It doesn’t matter that Yang’s temper is getting out of control, she has a right to shout and make threats when she gets angry (isn’t it funny how, if Yang were a male character, screaming in fury and making threatening moves towards others would be seen as VERY BAD and TOXIC MASCULINITY?). It doesn’t matter that Cinder is a villain who has shown no sign of deserving or wanting a redemption, she should get a redemption before Emerald or Mercury, the two teenagers she dragged into a horrific situation.

[thewinedarksea]

10.5k awards: aina reserl for @evalinashryver

[bookofmirth]

Unpopular opinion— The Lock and the Wyrdkeys had so much build up, but it’s resolution kinda fell flat. EoS teased Manon’s involvement like Rhiannon Crochan was, Brannon taking steps to help his heir, things like that which weren’t really touched upon again. There was Aelin’s sacrifice and Dorian’s (hehe) but for a plot line that was at the very heart of the story, I just expected... more.

I thought this initially - when I was reading, I thought, but…. the whole shock-value of the end of EoS relied on the reveal of this sacrifice and the idea that Aelin is not going to make it out alive because her heritage and her power has singled her out to lose everything. There was this complex history that Aelin was unwittingly a part of, and so the tragedy was that no matter what she did, Aelin was going to be the victim of fate. That’s what made us sad. That’s what we knew needed to be resolved in KoA.

(The fact is that the gods in ToG are petty af (as many gods are, in other mythologies), and we sorta forgot that somewhere along the way.)

But now I’m thinking… it’s more about this idea where Aelin has a lot of power, but that power doesn’t define who she is or what she can do. It was really quite cleverly done on Sarah’s part, to make it seem as if this is the thing that defines her, when really Aelin (and all of the other characters) are more than the sum of their parts. I’m going to have to write an entire post on this because I’m having a lot of thoughts about it. (Also I’m seeing a ton of parallels to the seventh season of Buffy.)

Nice pun on “Dorian’s sacrifice”, I see what you did there. :P

[ladyeowyn]

✧ compliment promos 15/17 ✧

@steverogcrs​: I love how vibrant and colorful is everything about your blog: your icon and posts are so amazing! and your url is mind-blowing, I'd steal it in a heartbeat wow!!! ✨

@jesperwylan​: Malia, your url just takes my breath away, it's so incredible!!! and I love the whole aesthetic of your blog: you have a wonderful variety of great posts from different fandoms, all in black and white and everything looks so beautiful combined with your theme and icon! 💖

@charlesgibson​: Nikoletta, I'm honestly in love with all the content you put on my dash! the wonderful combination of history, period drama and non-fandom aesthetic posts always makes me happy 🌸

@evalinashryver​: Lacie, everything about your blog is so incredible! your great url, beautiful aesthetic icon, elegant theme, I could spend hours browsing all your A+++ posts and your own original creations are wonderful as well! I just love your blog to the moon and back 💫

@thiseveningsun​: Marcy, what are absolutely adore about your blog is your gorgeous delicate minimalist theme - the colours & small hearts are so wonderful! and of course I love your great posts as well 💕

finishing up! // blacklist #3.5kpromos

[thewinedarksea]

@evalinashryver 💕💕💕 thank you so much! I really love celine, she’s such an interesting character to write, and I just. Have a lot of feelings about this story lol

[thewinedarksea]

I know how you feel about the PSDs, I felt the same way when I started using them— but keep up the great work, Mary! You’re doing amazing 💞

thank you lacie! that means a lot 💜💜