Imagine the heroine of Henry James's The Portrait of a Lady sporting a stylist haircut, miniskirt, and sunglasses, and you have Isabel Walker.
Le Divorce follows this smart, sexy American abroad as she arrives in Paris to visit her stepsister Roxy, whose marriage into an aristocratic French family has assured her of a coveted place in Parisian society. But Roxy's husband has just left her for the Czechoslovakian wife of an American lawyer. Could "le divorce" be far behind?















