French artist Suzanne Valadon, started her career as a model, modeling for artists such as Renoir and Toulouse-Lautrec. She lived a bohemian life with rebellious vision. As a lover of Toulouse-Lautrec, he nicknamed her Suzanne (born Marie-Clémentine Valadon). La chambre bleue is an oil on canvas painting from 1923. Housed in Musée National d'Art Moderne, it has been called a radical subversion of the traditional female nude in art. Contrasting the tradional depiction of the nude, idealized female form, she portrays a relaxed Valadon wearing casual loungewear; relatable, and on women’s terms, not as an object of men. Valadon began working as a model in 1880 in Montmartre at age 15. In 1894, Valadon became the first woman painter admitted to the Société Nationale des Beaux-Arts. She was also the mother of painter Maurice Utrillo, who she gave birth to at 18 years old. She became a full-time painter in 1896 after her marriage to stockbroker Paul Mousis. After her marriage to the well-to-do banker Paul Mousis, in 1896 Valadon became a full-time painter, they divorced in 1913, and she married painter André Utter, a 23-year-old friend of her son in 1914. Utter went on to become manager to both Valadon and her son. #experiencemica #femalepainters #motherpainter #motherartist #hampsihirecounty #womeninthearts https://www.instagram.com/p/CgsNvAWP7su/?igshid=NGJjMDIxMWI=