Where: The Summer Palace’s Ballroom.
When: Early on the Night of the Masquerade.
Who: Anyone.
Amongst the ocean of courtiers in glittering gowns and jeweled tunics, the stark blackness of Gisele’s mourning clothes makes the scene appear as though an artist mistakenly blotted ink on their watercolour tableau. She drifts past the people around her like mercury on water-- brushing against the expanse of skirts or bumping shoulders, perhaps, but maintaining a distinct, immutable separation from all those around her. Had the usual undesirable facets of the events - the grotesque waste, the hideous noise, the unmerited reverence of Calandre - not already predisposed Gisele to a dour mood, watching the crowds fawn over Yvon was sure to completely do away with any cheer she might have otherwise summoned. With her acrimony burning far hotter than the pyres outside, she trails far in the wake of her sister across the ballroom, until the younger Duval is out of view, swallowed up in the admiring crowd. Once it’s become sufficiently clear that watching her sister and further stoking the flames of her resentment can no longer occupy her, Gisele turns sharply towards the bystander with the misfortune of happening to be near enough to her to be cornered into conversation.
She clears her throat with theatrical poise to catch their attention and launches into her tirade, apropos of nothing. As she speaks, she does not afford them her full focus, electing instead to study the crowd. “I fail to see the point of all this, unless it is to convince the citizens that they posses the miraculous ability to prevent misfortune by choosing not to anticipate it,” Gisele says, her velvety tone in sharp contrast with the castigation, “This is state sanctioned delirium, no?” For the woman to attempt ‘mingling’ is an exceedingly rare occurrence and her lack of practice shows-- her words seem more an announcement than part of a discussion. It’s only after she finishes her observation that she turns her masked face fully towards the victim of spiel, taking no pains to disguise her deliberate inspection of them. “Or,” she continues, adopting a challenging edge to her voice, “Are you going to attempt to tell me I’m wrong?”












