It will forever associated in my brain with the desert planet Kanatia, which for some of the levels it was the song that would play. Between the sandblasted synth chords, that world-music main melody, and all of the wind effects, the Egyptian imagery-styled planet and the song seemed like a perfect match. This here is the moment where the Bomberman Hero soundtrack deviates from the usually fast drum 'n bass exercises and slows down enough to deliver some baller-as-fuck videogame hip hop beats. Actually, that's giving it a bit too little credit—there's a brooding and mysterious undercurrent to the whole thing, also uncharacteristic of most of the soundtrack, that should be enough to also qualify it as being on some trip hop-type shit. Pretty damn impressive for something that had to work under the Nintendo 64's sound limitations.