Thanks @dadou1113 . This is awesome!!! See @tygryss , it's not always about deflecting to men when given a task. #spiderman #takecareofyourman #feminismisdead #manhateismenenvy
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Thanks @dadou1113 . This is awesome!!! See @tygryss , it's not always about deflecting to men when given a task. #spiderman #takecareofyourman #feminismisdead #manhateismenenvy
#feminismisdead: I would argue that although there are some dynamic and empowered figures in the industry, music is now the primary source of female objectification. Researchers have suggested that women in popular media “emphasise passivity rather than agency and power”, which undoubtedly has an impact on how the women consuming this media perceive themselves. This is particularly relevant in sexualised videos which reinforce female subordination. In music, are women now just perceived as an accessory of manhood? As a sexy, pretty, contoured appendage to the man’s message? To answer this question, I read through the lyrics of some songs that have featured in the charts over the past couple of months. Take the first song, Black Beatles (feat. Gucci Mane) by Rae Sremmurd. Made famous by the (now infamous) mannequin challenge, this has been repeatedly played in public arenas. A quick YouTube search will also reveal that this song has been used as the backing track for many videos recorded seemingly innocently in primary schools. Admittedly, it has a repetitive and infectious beat. But then we get to the lyrics: “Rockin John Lennon lenses like to see ‘em spread eagle/ Took a bitch to the club and let her party on the table”. What does this tell us about the society we have cultivated for ourselves? How can I, as an enthusiastic university student, expect to make a valued contribution to combat sexual objectification when this music is everywhere? How can psychologists get people to listen? Kendrick Lamar raps alongside Maroon 5 in Don’t Wanna Know, sending out the disturbing message that women are ‘owned’ by men: “Do he woo you like this?…Maybe his right now, but you body’s still with me”. The lyrics is popular songs are increasingly one-note, and this note becomes difficult to bear. Women exist for the pleasure of men.
The (anti)feminist teachers in popular media - @thefword.
Attention: I have decided that I no longer need feminism, and henceforth I am becoming a Red Pill Woman. I have tied myself to the stove, in the kitchen where I am barefoot and am preparing myself for a life of frying bacon for my man. #feminismisdead #redpillwomen #barefootandinthekitchen #privilegedenial #realwoman (at Costa Del Sulgrave)