Emma Goldman, 1911.
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Emma Goldman, 1911.
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As I lived among folk for whom language was an absolutely necessary way of validating our existence, I was told that the minds of the world lived only in a small continent of Europe. The metaphysical language of the New Philosophy, then, I must admit, is repulsive to me and is one reason why I raced from philosophy to literature, since the latter seemed to me to have the possibilities of rendering the world as large and as complicated as I experienced it, as sensual as I knew it was. In literature I sensed the possibility of the integration of feeling/knowledge, rather than the split between the abstract and the emotional in which Western philosophy inevitably indulged... ...Because I was a curious person, however, I postponed readings of black women writers I was working on and read some of the prophets of this new literary orientation. These writers did announce their dissatisfaction with some of the cornerstone ideas of their own tradition, a dissatisfaction with which I was born. But in their attempt to change the orientation of Western scholarship, they, as usual, concentrated on themselves and were not in the slightest interested in the worlds they had ignored or controlled. Again I was supposed to know them, while they were not at all interested in knowing me. Instead they sought to "deconstruct" the tradition to which they belonged even as they used the same forms, style, language of that tradition, forms which necessarily embody its values. And increasingly as I read them and saw their substitution of their philosophical writings for literary ones, I began to have the uneasy feeling that their folk were not producing any literature worth mentioning. For they always harkened back to the masterpieces of the past, again reifying the very texts they said they were deconstructing. Increasingly, as their way, their terms, their approaches remained central and became the means by which one defined literary critics, many of my own peers who had previously been concentrating on dealing with the other side of the equation, the reclamation and discussion of past and present third world literatures, were diverted into continually discussing the new literary theory.
Barbara Christian, "The Race for Theory"
Hadley Freeman discusses misogyny, race, mental illness, gun violence, and how our culture enables violence against women.
"Was misogyny the reason a 22-year-old man went on a killing spree? Hell yes. Were other factors at play here, too, such as mental health, a financially straitened mental health system and an American political system cowed by the NRA, leading to too much access to guns? Yes, yes and yes. And to say that doesn't diminish the part played by any of these reasons. In fact, they underline the dangers in one another."