What do you think is more likely to happen here:
Gilgamesh has gay sex with himself
Eiffel Tower with Ritsuka in the middle

seen from United States
seen from Chile
seen from Canada

seen from Türkiye

seen from Singapore

seen from Malaysia
seen from China
seen from Canada

seen from United States

seen from Malaysia
seen from Germany
seen from China

seen from United States
seen from United States

seen from United States
seen from United States
seen from China
seen from Russia

seen from Canada
seen from Germany
What do you think is more likely to happen here:
Gilgamesh has gay sex with himself
Eiffel Tower with Ritsuka in the middle
MAJOR LOSTBELT 5.1 SPOILERS
...
When the Master of Chaldea sees the face of the Man from Chaldea, it is the face of an utter stranger. They are sure they've never seen the Man in their life.
And yet, something cracks within them when the Man speaks, and his voice is utterly devoid of something.
They don't know the Man's face, yet it somehow is familiar. And yet...
Yet...
...what is this feeling of utter revulsion? This flare of violent, irrational rage?
You don't belong in that body, they want to say. That body is not yours.
But the words get trapped in their throat, and he leaves.
And though they somehow hate him in the brief moments of his presence...
...there is a remembered pain like no other in watching him leave.
#FGO has been my life these days so here are them protags ✨
I think something interesting about how the story of FGO progresses is how we can better understand the Master of Chaldea through how the story is told.
FGO is a story with a lot of ideals and beliefs being thrown about, but one of the more subtle and I think profound is how perspective can change how we see the events of FGO.
And while there is a lot of focus put on the large thematic themes of dreams, memory, the meaning of a life cut short, in many ways the Master is critical for the story as the one who brings all these lofty ideals to the ground.
Because above all else, the Master of Chaldea sees people above ideals.
From their perspective, we begin to understand that it is people that drive the story. None of the villains are truly faceless and not one person is truly forgotten, even if the world no longer remembers them.
That everyone who fights is not nameless, and that is the center of the compassion that drives the Master of Chaldea to reach out to even those who in many cases would be considered truly irredeemable.