Discover Top Posts Tagged with #fictional landscapes

Revelry, 60" x 68", oil on canvas, 2019, Samantha Keely Smith + details

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#Samantha Keely Smith #artists on tumblr #female artists #Women painters #imagined places #Fictional landscapes #oil on canvas #oil painting #contemporary art #contemporary landscape #landscape painting now #inner worlds #order and chaos #illusion of control

Fictional Landscapes

Frank Lloyd Wright

Plan for a Greater Baghdad, 1957-1959, Baghdad, Iraq

from the exhibition City of mirages: Bagdad 1952-1982, helded in New York’s Center for Architecture in 2008 organized by Collegi d´Arquitectes de Catalunya in Barcelona and curated by academic from UPC-Barcelona, Pedro Azara Nicolás.

#frank lloyd wright #fictional landscapes #pedro azara #city of mirages #baghdad #urbanism #urbvisions #city planning

#At by Ian Sokoliwski #cyberpunk #science fiction #robots #megabot #fictional landscapes #anime #manga #comics

I have a solo show opening tomorrow night in NYC, stop by if you are around...

Still, Life j.frede

May 6 – August 13 2017 Opening Saturday May 6, 6-9pm

Lyeberry HQ 250 Greenpoint Ave 4th Fl. Brooklyn NY

www.lyeberry.com Press Release: Land lies in water it is shadowed green1. The land is our mother, our stability, our cushion, our death and ourselves. The land becomes our crutch – our stable bread – we gorge on the solid fruits of the land and with grace and steadfastness the land keeps giving even though on occasion it receives nothing but harm. The land sings along, alone, nudging the sky into a third dimension, one elusive and flat. Sometimes land is the only thing left that feels real. Soil, against your skin, is soft and teeming with life. Within it there is a reality so real even human doubt and suffering can not cause it to panic or to act out. The land reassures us with a fury and dedication unparalleled, that it is there, that the land is real. In the case of j.frede’s series titled ‘fiction landscapes’, slivers of memories via snapshots are choreographed into new narratives, one that gives these old snapshots a second chance even if its original story has faded from memory itself. Pictures like these go many places to die. You might find them in trash cans, recycling plants, arranged as decorative elements that add character in hideous plastic frames, backdrops for aquariums, bookmarks, maybe even some of them become refrigerator magnets. These particular photos were saved from their second-life-purgatory to dance together and create a time-crystal vision for a multipolar future, one constructed of many peoples’ many pasts’ to share through solidarity of experience our collective desires in the present. Together these snapshots visualize a collapse of space-time and give a glimpse into one of the most real parts of ourselves – that our memories are not our own. For more information please contact Lyeberry at [email protected]

1 Elizabeth Bishop, The Map