My project 2 submission focused on the relationship between an actor and an invader across a pair. The perspective is from the invader. The invader is an entity of aggression, while the actor is the victim. The setting is 'living space', E.X. home, office, etc. The invader acts upon the actor via physical presence and a colored light source. In the first image, the actor, the invader's cast shadow, and the invader's 'weapon' are in plain view. The 'weapon' is used on the actor, while the actor reacts to the invader's presence. In the second image, the actor has been replaced by an abstract, nonsensical collection of objects and the 'weapon' has been turned off. The cast shadow of the invader remains.
The project's topic is on self censorship and personality change relative to the brain. The general “pink” tint is to symbolize that these photos occur in the brain. The invader, is the owner of the brain and the one removing memories. The memories are represented by the actor. Specifically, the memories are intentionally generic; they are a placeholder for some habit or character trait that the invader would want to remove. The invader, has focused on the memory, and all its variants, into a single point, the actor. The invader, focusing on the actor, then removes him using the 'weapon'. This removal, technically, is actually a disassociation from other memories, the process causes the memory to change. Because memories are just collections of associations of memories, removing a memory is more a dismantlement than a removal. This process, in turn, is fairly mechanical on a conscious level and thus is represented by a square-ish cast shadow with wires to further indicate a robotic nature. In the second photo, the result of this removal is shown. In the place of the actor, memory, is simple abstract shapes, figments the brain created to fill the lost connections caused by deleting the memory.