Hoop Dreams

seen from United Kingdom
seen from China
seen from United States

seen from United Kingdom
seen from United States

seen from India
seen from China

seen from France

seen from United Kingdom
seen from China
seen from China

seen from United Kingdom

seen from Australia

seen from United Kingdom

seen from Malaysia

seen from United Kingdom

seen from United States
seen from United Kingdom

seen from Germany

seen from United States
Hoop Dreams
Hoop Dreams
Hoop Dreams
Hoop Dreams
Hoop Dreams
"The system doesn't care about women like me."
Hoop Dreams is a film about young men with promising futures in basketball. Futures that promise to be one of the few pathways to hope for young men who come from their circumstances. Arthur Agee and William Gates, the young black men in question, come out of Chicago and are really quite good at the game, but as Agee's mother says about single mothers like her: the system doesn't care.
And that's where Hoop Dreams does something bigger than it's originally intended 30 minute documentary on street ball could have ever hoped. While it may just be the fact that I was 9 at the time it came out, but that particular time in America basketball seemed more popular than any other in my life: the Bull's heyday, the 1992 Dream Team sweeping the olympics, heck, NBA Jam had just come out. Basketball, perhaps particularly Chicago ball, was in the zeitgeist. Hoop Dreams tapped into that, then took its audience to unexpected places and challenged them for how they treated the people who produced this thing they liked. Often filmmakers Steve James, Frederick Marx, and Peter Gilbert do so subtly, and others it does so in no uncertain terms.
Listen to this week's Lost in Criterion episode Hoop Dreams via iTunes or LostInCriterion.com, and while you're at it, like us on Facebook or support us on Patreon.
Hoop Dreams
Hoop Dreams