aluminium sandcast effects enclosure replicas:
Aria, Jennings, Tekson; Roland and Crate adapted for sandcasting

seen from United States
seen from United States

seen from Brazil
seen from Germany
seen from United States
seen from Colombia
seen from Türkiye

seen from Malaysia
seen from Australia

seen from France

seen from Brazil
seen from United States
seen from United States
seen from Türkiye

seen from China
seen from United States
seen from Türkiye
seen from Türkiye
seen from China

seen from Malaysia
aluminium sandcast effects enclosure replicas:
Aria, Jennings, Tekson; Roland and Crate adapted for sandcasting
Jacques - mercerbox streamline
"pure Germanium, half-french half-russian" fuzz by jacquespedals
2nd of two prototypes of the meazzone enclosure, s. the other one
boss CE-1 enclosure replica
meazzone
colaboration with Jacques Stompboxes, instagram.com/jacquespedals, youtube.com/jacquespedals
cred: fuzzk
hand enclosure
cred: fuzzk
hand
size: 190 x 155 x 76 mm volume: ca 270 cm³
modular loop switcher prototypes
with power supply
empress - ZOIA
boxed up for portability, power supply, mini-amp and radio included, also a little storage for SD-card, cables and manuals. favela-style, in a hands-on pursuit of what seems to be an initial impulse of the ZOIA-concept.
“I love Pure Data, but since I program all day for work, the idea of creating patches in front of a screen doesn’t appeal to me,” Bragg says. “So the idea of ZOIA was to be able to create PD-like patches without a computer. In PD, you have objects; the analog in the ZOIA are modules. You place down modules on ZOIA’s grid and connect them together in whatever way you want. No need for a computer!” Bragg pauses for a second, reflecting, before self-correcting. “So I lied when I said there was no need to use a computer with the ZOIA, because... “ (Steve Bragg: eandt.theiet.org/content/articles/2019/08/making-guitar-pedals-freaking-mental-steve-bragg-empress-effects-on-developing-the-zoia/)
we always might pardon a lie as long as it is a poetic one.