Bluecoat Curation
The curation within bluecoat at the moment is extremely interesting; two exhibitions that sit alongside one another are William Kentridge’s- A Universal Archive and Jo Kushner’s- Postcode criminals, the reason I’m really interested by this is the contexts and content of the two exhibitions. Kentridge’s traditional prints explore issues concerning segregation between black and white people during the apartheid in South Africa; there are strong images and powerful tones to match the extremes of the situation. Postcode criminals however is a technological video work looking at how young men in L8 (Toxteth) and New York are treated by the police. The majority of the men are black and talk about how the police treat them regardless of knowing anything about them and try to punish them for gang violence. Although there are differences between the two exhibitions there are also similarities the most interesting for me is the link in the segregation between the police force and the young men and the black and white community represented in the apartheid. However rather than race the argument could be made that the uniforms of the people are what separates them, perhaps that is the new form of segregation.











