#gelem

[melissaakoc]

Üzgünüm

[egomaniaque]

ЛЕОНСИЯ ЭРДЕНКО “ДЖЕЛЕМ”

Международный День Цыган - интернациональный праздник, который отмечается 8 апреля. К этой знаменательной дате одна из самых ярких героинь жанра подготовила особый сюрприз: Гимн Цыган “Джелем”, в современной музыкальной интерпретации, заново раскрывающий легендарное произведение.

Представительница известной цыганской музыкальной династии Эрденко-Пономаревых, Леонсия Эрденко носит почётный титул "Цыганский Голос России". World music, этно-джаз, романсы, фольклор - поклонникам этих жанров знакомо имя Леонсии Эрденко.

Её отец Николай Пономарёв - популярный исполнитель романсов и цыганских народных и авторских песен второй половины XX века, создатель ансамбля «Джанг», музыкальный руководитель театра «Ромэн», подробнее в био на wiki: https://goo.gl/sKBdv2

Био: https://www.vokrug.tv/person/show/leonsiya_erdenko/   https://www.peoples.ru/art/music/national/leonsiia_erdenko/

Леонсия Эрденко - лауреат премии “Шансон Года”, участница записи группы "Zdob si zdub" "Видели Ночь" (кавер на группу Кино) - женский цыганский вокал...

Репертуар Леонсии Эрденко: эволюция цыганского искусства, от традиционных романсов и фольклора до world music с элементами фламенко, балканской и восточной музыки.

Один из смелых экспериментов- участие: в шоу «ГОЛОС» на 1 Канале:

участие в фестивалях: “Шансон Года”, “Эх, Разгуляй”, “Славянский базар”, памяти Окуджавы (Краков), “Bal De La Rose” (Монако), “RuPrix” (Голландия) и множество против

Сотрудничество: Олег Митяев, Александр Барыкин, Георгий Барыкин, Здоб Ши Здуб, Гарик Сукачев, Елена Ваенга, Людмила Сенчина, Тото Кутуньо и множество других имён

Саундтреки в кино и ТВ: “Бедная Настя”, “Турецкий Гамбит”, “Дубровский”, “Кармелита”

Цыганская песня “Джелем” принята, как цыганский гимн 8 апреля 1971 г на первом Всемирном конгрессе цыган в Лондоне, написана на основе народной песни.

История песни: wiki RU: https://goo.gl/kSBeL8 

wiki EN: https://en.wikipedia.org/wiki/Romani_anthem

Версия песни “Джелем” в исполнении Леонсии Эрденко более 9 месяцев находилась на #1 месте в хит-параде радиостанции Восток FM.

Официальный релиз в мировых музыкальных маркетах: 8 апреля 2019

Леонсия Эрденко "Джелем": http://smarturl.it/djelem

Apple Music / iTunes: https://apple.co/2KjnHDN Google Play: http://tinyurl.com/yylnvqnk Яндекс Музыка: https://music.yandex.ru/album/7204107 YouTube Music: http://tinyurl.com/y573c2wk Deezer: https://www.deezer.com/album/91954292 Spotify: https://spoti.fi/2KhEwz9 Zvooq: https://zvuk.com/release/8233436 МТС Music: https://music.mts.ru/album/7204107 Билайн Музыка: http://music.beeline.ru/album/16255293 Tidal: https://listen.tidal.com/album/106749910 WiMP: https://play.wimpmusic.com/album/106749910 KKBOX: https://www.kkbox.com/sg/en/album/dWfLlP4wP6f4s0F389Zf009H-index.html iHeart: https://www.iheart.com/artist/-30766345/albums/-71465074/ Amazon UK/US/EU: https://music.amazon.com/albums/B07NVTJKXL Amazon Asia: https://music.amazon.co.jp/albums/B07Q5J5SCY Napster: https://us.napster.com/artist/--533/album/365174418 7Digital: http://tinyurl.com/y5dfvvtl

Леонсия Эрденко, интернет-ресурсы:

YouTube: https://www.youtube.com/channel/UCXBtSdcbxObwE4jvCM9KbIw

Facebook: https://www.facebook.com/lilaerde

[gotojobin]

#Golem #gelem #גלם #meaning #rawmaterial #meaningrawmaterial Golem-like creatures appear in the folklore of other cultures. In Norse mythology, for example, Mökkurkálfi (or Mistcalfa) was a clay giant, built to help the troll Hrungnir in a battle with Thor. The concept of golems has also found its way into a wide variety of books, comic books, films, television shows, and games. This use covers a wide range, from "golem" used as an umbrella term to refer to automata and simulacra made of anything from steel to flesh, to full adoptions of the golem mythos. Golems have appeared in novels such as Neil Gaiman's American Gods, as well as issue #631 of Detective Comics, where Batman must confront a golem created by an elderlyHolocaust survivor. The golem has also been featured in film, as well as television shows like the X-files where a young Hasidic woman creates a golem to avenge her husband's murder by neo-Nazis. Golems are also often found in fantasy-based video and role playing games. The golem has even been the subject of opera, with the American opera The Golemby Abraham Ellstein, as well as the opera of the same name by British composer John Casken.

[gotojobin]

#Golem #gelem #גלם #meaning #rawmaterial #meaningrawmaterial Having a golem servant was seen as the ultimate symbol of wisdom and holiness, and there are many tales of golems connected to prominent rabbis throughout the Middle Ages. A sixteenth century rabbi, Elijah of Chelm, is the first person credited with the creation of a golem using a shem, or paper with the name of God written upon it. Similar to theFrankenstein tale, Elijah's golem grew to be a monster. Fearing the destruction of the world at the hands of his golem, the rabbi removed the shem from the golem's forehead, and the golem returned to dust.

[gotojobin]

#Golem #gelem #גלם #meaning #rawmaterial #meaningrawmaterial The animation of a golem often involved the use of one of the secret names of God, which were written on a slip of paper and attached to its forehead or arm, or on a clay tablet under the tongue, which could be removed to deactivate the golem. The word Emet (אמת, 'truth' in the Hebrew language) on the forehead was also commonly used to give golems life. By erasing the first letter in Emetto form Met (מת, 'dead' in Hebrew) the golem could be deactivated. In many tales, the golem is said to continue to grow until it dwarfs all members of the household and must be deactivated. In nearly all versions of golem legends, golems lack the power of speech and are unable to make moral judgments. Since they are created by man, not God, they do not possess a soul, and therefore can do no more than what is asked of them by their creator. In almost all kabbalistic descriptions of golems, they are incapable of disobeying the one who created them. The theme of hubris is common to most golem tales, as with the tale of Rabbi Elias, who created a Golem that grew so large that the rabbi was unable to reach its forehead to erase the letter to deactivate it. The rabbi then commanded the golem to remove his boots, thinking that he would then be able to erase the letter, which worked exactly as planned. Unfortunately, once the golem was deactivated, it returned to clay, which fell upon the poor rabbi, crushing him.[7] This type of hubris theme is common in stories of golems, where the creation of the golem often leads eventually to destruction, similar to the moral found in stories of the monster ofFrankenstein.

[gotojobin]

#Golem #gelem #גלם #meaning #rawmaterial #meaningrawmaterial The origins of the golem are often traced back to the Sefer HaYetzira (the "Book of Formation"), a Kabbalistic text that deals with the process of the creation of the universe.[1]The Hebrew word "golem" has been interpreted in multiple ways. The term is used in the Bible (Psalms 139:16), as well as inTalmudic literature to refer to an embryonic or incomplete substance.[2] Commentaries on the Mishnah, specifically the Pirkei avot, use the term to refer to a person whose behavior is unbalanced, or "uncultivated," in contrast to "learned" or "wise" men. The word was incorporated into Yiddish to refer to a person who is stupid, clumsy, or inconsiderate.[3] References to golems occur as early as the scriptural description of creation; Adam, the first man, is described as having been initially created as a golem. Formed from dust, Adam was a golem, or "shapeless mass," before becoming imbued with a soul.[4] Like Adam, all golems are created from mud. They were a creation of those who were very holy and close to God, striving to approach God, and in that pursuit gaining some of God's wisdom and power. One of these powers was the creation of life. No matter how holy a person became, however, a being created by that person would be but a shadow of one created by God. The first known instructions for the creation of a golem are found in commentaries on the Sefer Yetzirah during the twelfth and thirteenth centuries. The creation of a golem was first seen as a initiatory mystical experience. It was not until later that the golem came to be seen chiefly as a servile entity.[5] The creation of a golem was often viewed as a symbol of holiness, as only the very righteous could be successful at bringing the godly powers into inanimate clay. Persons attempting to create golems for improper or self-serving purposes would not be given the ability to do so.[6] Golems were usually connected with [[rabbi]s during the Middle Ages.