Gutzon Borglum, sculptor, architect, working on a draft for the Mount Rushmore National Memorial, 1937.
Photo by Keystone
It was state historian Doane Robinson who first had the idea for a mammoth national monument in the region, but its eventual design was the brainchild of sculptor Gutzon Borglum. Borglum is pictured here in his local studio with an early model of the landmark.
Mount Rushmore and the surrounding Black Hills (Pahá Sápa) are considered sacred by Plains Indians such as the Arapaho, Cheyenne, and Lakota Sioux, who used the area for centuries as a place to pray and gather food, building materials, and medicine. The Lakota called the mountain "Six Grandfathers" (Tȟuŋkášila Šákpe), symbolizing ancestral deities personified as the six directions: north, south, east, west, above (sky), and below (earth). In the latter half of the 19th century, expansion by the United States into the Black Hills led to the Sioux Wars. In the 1868 Treaty of Fort Laramie, the U.S. government granted exclusive use of all of the Black Hills, including Six Grandfathers, to the Sioux in perpetuity.
The sculpture at Mount Rushmore is built on land that was illegally taken from the Sioux Nation in the 1870s. The Sioux continue to demand return of the land, and in 1980 the US Supreme Court ruled in United States v. Sioux Nation of Indians that the taking of the Black Hills required just compensation, and awarded the tribe $102 million. The Sioux have refused the money, and demand the return of the land. This conflict continues, leading some critics of the monument to refer to it as a "Shrine of Hypocrisy"