Swedish Sludge Masters GLOSON Issue Harrowing New EP, ‘Mara’
In the summer of 2012 in Sweden, a group of individuals came together with a solitary goal in mind: to create dark music offset with the smallest glimmer of hope. Instead of being inspired by political and religious themes, the band turned to their own personal and internal wastelands to see what would manifest from their subconscious, writing within this very cruel world.
GLOSON has always represented one of the finest names in progressive sludge metal, on par with Sumac, Intronaut, and Bible Black Tyrant. The band graciously appeared on last year's Doomed & Stoned in Sweden compilation and has long been a favorite of mine, going back to the Yearwalker days.
On Friday, April 8th, the foursome from Halmstad take the leash off of this 15-minute two-tracker, 'Mara' (2019). I do believe mara is Swedish for nightmare. The band confirms this:
"The concept of our new EP 'Mara' is about our subconsciousness while being asleep; being stuck between the realm of dreams and reality. Portraying personal demons has usually been the agenda of Gloson, and the most graphic and terrifying ones occur during such states."
Lyrically and musically, "Usurper" sets the mood quite effectively, enveloping the listener in the fog of somnambulance, with all the tense feelings of helplessness that accompany a bad dream (that eerie synth, just subtle enough to be sensed, is largely responsible for discomfort we feel). According to the band, this song "is about when you are the protagonist of a dream and have to wade through oceans of unreal horror that dwells within."
Some of the words remind me more of the waking nightmare this world finds itself in, where at times it feels like we've somehow been spirited away into a surreal alternate dimension where everything is rapidly digressing. "Is this the world we were given?" Gloson asks rhetorically. "Is this the world we would flee?" Certainly the answer to the first question is "yes," and increasingly many of us are giving a reluctant "yes" to the second question, too. If it's a world we no longer feel at home in, it begs a third question still: "What are you going to do to change it?"
On the flip side is "Equinox," which the band describes as a different kind of nightmare, "when you yourself are the antagonist and the chokehold of everything that is real and unreal." The last song hinted at the cultural, spiritual, and political manipulation that has us all turning against one another ("Ravens randomly strike through the shadow, 'til the end they're striking through me"). This often leads to majority populations looking for a scapegoat to their economic and social problems. I'm not sure if that's what Gloson are alluding to with a line like "the blaze of a thousand souls will purge us," but the song is nonetheless compelling.
Look for Mara on Black Lion Records this weekend, who is issuing the record on compact disc, in addition to giving it a digital release (pre-order here). In the meanwhile, Doomed & Stoned is providing you entrance into Gloson's stimulating, if disturbing, dream life.
World embezzler
The walker of voids
Shed light, summoning mist
Creature within
Stubbornness won't give insight
Clairvoyant redeemer
Inured to face thy hollow
Unearth the willows in my dreams
Is this the world we were given
Is this the world we would flee
Ravens randomly strike through the shadow
'Til the end they're striking through me
Is this the world we were given
Upon this world we will see
Whatever my world has forbidden
Is forever what I will be
Planets align
Planets align
Critters lies dormant
And withers in bliss
Planets align
Planets align
Shielding the bulwark
Of realities unseen
Light does seem to break these walls
Seeping mist, veils of smog
Breaching the gateway
Repent, repent
The blaze of a thousand souls will purge us
Coming salvation
Repent, repent
Whitening necrotic tint fulfills us
Billows of fumes, figurines appears
Spiritual rape from origins unknown
Poster by Prakash Khatri Chhetri
Hailing from Halmstad, Sweden, GLOSON was formed in the summer of 2012 by a group of individuals with a solitary goal to create dark music offset with the smallest glimmer of hope. Instead of being inspired by political or religious themes, the band turned to their own personal and internal wastelands — to see what would manifest from their subconscious, writing within this very cruel world.
Their 2014’s self-released EP, Yearwalker, was well-received by the listeners and the critics alike, and it was re-released on LP format in the following year by two labels: Catatonic State (Sweden) and Art of Propaganda (Germany). After several live performances, the debut album, Grimen, with a stronger production, mastered by Magnus Lindberg of Cult of Luna, arrived in the early-2017.
Now, Gloson is poised to exhibit another storm of dreary heaviness with their impending EP, 'Mara' (2019). The EP, striding into an eccentric terrain, offers a soul-stirring trip throughout its well-crafted two numbers. 'Mara" comes out this April 5th on CD (and digitally) via Black Lion Records.