Graves: Do we REALLY have to take this thing on every date?..
Ved`ma: It's my emotional support stick.
Graves: It's a crowbar.
brought to you by my love @nrdmssgs

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Graves: Do we REALLY have to take this thing on every date?..
Ved`ma: It's my emotional support stick.
Graves: It's a crowbar.
brought to you by my love @nrdmssgs
Gucci Belt
Translated from Russian for my dear friend @cumikering (pls check out their fics, it's such a collection of delight), inspired by this post
CW: 707 words, MDNI, smut, Graves x Ved'ma (female OC), bottom!sub!Graves, mild puppy play, leash, mild choking, pegging.
*Schen (щен) - pup
Art is a gift by opposum_den (telegram)
Phillip Graves wears a Gucci belt. It's an old purchase; its inner leather side already stained with sweat and dirt and warped along the waist curve, the outer canvas side is worn and hand-pierced once, right in the middle of the central red stripe squeezed in-between the outer green ones. The signature buckle, two intertwined Gs, is covered in scratches. Graves bought it second-hand about twenty years ago, and for a status trinket it holds up pretty well, even after Phil has dragged it through a dozen countries and tens of missions and first lost and now regained weight.
Phillip Graves fiddles with a Gucci belt in his hands and tries it on his waist. Instead of the emaciated, sunken stomach, there are now healthy layers of muscle and fat under tan skin with a trail of dark hair in the mirror, and the extra hole in the belt that was once made is no longer needed. Behind him, in the same mirror, a short dark figure appears, creeps up, sticks to his bare torso with the soft cotton of its T-shirt and peeks around his waist — it’s too short to look over his shoulder.
Left march
This piece was first written in Russian and translated in English solely thanks to @/gomzdrawfr 's encouragement and support. After a lot of thinking I decided to transliterate (write Russian words with latin letters) Russian speech here to help readers get into Graves's headspace of knowing how the words sound but not knowing their meaning. Down below I provide a link to translation of the poem Left march by Makyakovsky in English for anyone interested in the meaning of the words!
CW: 2126 words, MDNI, smut, Graves x Ved'ma (female OC), sub!Graves, bootgrinding and bootfetish, cum eating, established relationship, not much of aftercare (it's implied, but not really described, but trust me, he's well taken care of). Comparisons to a dog once or twice.
Graves is in desperate need of stress relief and Ved'ma offers it, accompanied by some Russian poetry.
Seated in an Ashley Furniture sycamore ash coloured armchair that he bought for his living room in an attempt to bring it to that upper middle class stylish comfort, is Ved’ma.
Graved'ma mudane soft things that make me want to cry a little less tonight. Posting this and probably going for a nap before I try to fix a situation I created which is a horrible mess.
Marusya making boiled eggs for breakfast and cleaning the shells off standing at the kitchen counter, when Graves enters the kitchen and immediately goes for a hug from the back, wrapping his hands around her waist and resting his chin on her shoulder. The height difference make it a good fit, her sleepiness - a maneuver Graves won't get immediately elbowed in the guts even though Ved'ma is still overwhelmed by being hugged like this. The egg she cleans off has a yellowish spot on the side, because she overcooked them and it got slightly baked. Phillip gets elbowed in the guts for making a comment about it.
Ved'ma staring at him heavily and Graves being unnerved by the "slavic gaze". She argues it's bullshit, and it is to some extent: she's staring at him like this not because she's slavic, she's staring at him like this because she woke up in a bad mood and is fighting herself in order to ask for a hug and also there's half of an eye pencil's worth of lining around her eyes. Because the best way to throw off the face recognition cameras will be wiping it all off and changing her eye shape drastically with just that. She ends up secondguessing herself due to the bad mood and doesn't ask for the hug, but Graves wants to give her one anyway and it ends with him being held hostage by a grumpy Ved'ma.
Phil getting his daily dose of Ved'ma lap time where she pulls him into her lap and listens to his heartbeat ("I'm just warming my ear between your tits, don't get any ideas"). She places kisses over his heart and sometimes gets really sad and silent, but that just means it's time for a quiet country song from him, because it always makes her smile and hold his hands.
Ved'ma singing loud and fun Russian songs with a guitar to him. Her favourite ones to sing to him are from Король и Шут, especially "Лесник" and "Камнем по голове", but she's learnt almost all their repertoire. She sings more solemn, serious, grim and political songs to herself, but when she's sitting on the floor with her head leaning back to rest against Phil's knee as he's on the couch, it's always something just fun. He starts learning some words too even though his pronounciation sucks.
Marusya hugging Phil from behind when he's sitting doing something, kissing his temple and cheek, taking his glasses off if he has them on. She drapes herself over his back like a weighted blanked and hugs him around his neck, and this is when she's telling him short and sweet things, calls him beautiful, whispers that she loves him and reminds him that she wants to sleep in one bed with him. It's all in Russian, but he knows all these very important phrases already. They are very happy.
Ved'ma with messy bed hair lying in that bed resting her head on folded arms. She's watching him undress for sleep and she thinks he is beautiful, and for some reason, maybe because she's staring intensly again, it makes this cocky man flustered. Ved'ma is even more blunt when she's sleepy, because English gets harder, so she tells him short, direct compliments and ends up calling him over when he's still half dressed, pulling him onto the bed by his unbuttoned shirt and kissing him a lot while they're both giddy and smiling.
Graves doesn't just stop going away to his missions even after they come together with Ved'ma, and she has to compromise on that, even though she does start pushing him to choose his jobs differently.
There's tension in the air when he deploys first time after he's back in business and already with a certain Slavic witch haunting his apartment. For two weeks he is constantly returning to the heavy, disapproving gaze Ved'ma sent him off with, and wonders if he's gonna come back to an empty - or even trashed and burnt down to the ground home. He has no doubts Marusya would act ruthlessly if she set her mind on it, and by the time the plane lands back home, Phillip is already halfway to coming to terms that the radio silence on his phone means she chose her beliefs over him.
Their apartment is dark and quiet when he enters thr front door and sets the duffel bag down. Shedding his jacket, Graves listens in, still too scared to call out and hear no response - but when he turns around, it happens quickly, like a gunshot.
Warm weight lands on his back, nearly toppling him over, four suffocating limbs wrap around him, and before Phil can tear the attacker off his back and pin to the ground, Ved'ma presses a kiss to his ear and grumbles: "Missed you, bitch."
And if he stumbles into their bedroom to fall face first into the bed and pass out, half-undressed and squished under Ved'ma's weight, before he even learns there's food for him in the kitchen... so be it. It's not like he'll wake up alone.
She would come home late. If black February wasn't puking coagulated blood over the skies, there would already be sunrise by the time she'd stumble inside. A suspicious bend of the key would delay her arrival for half a minute more.
He would be still awake. In the sickly yellow colouring of the little lights above the stove he would look even older, dark shadows under his eyes and a deep crease between his brows. Waiting for her with the phone she left in front of him.
She'd look younger with greasy eyeliner smeared around her eyes and clothes soaked in sweat - on both sides. She turned them inside out at least once, diving between street cameras and disappearing - in a country no one was looking for her in.
"What took you so long?" he'd ask, turning the lights on to scrape every inch of her slowly showing skin with his gaze as she undressed. "No bruises? Not even a call from police?"
"There was no one to punch," she'd answer, and it would sound more hopeless than if she had said there were too many butchers to attempt anything. "They stopped coming. And caring. Всем поебать."
She'd reek of cigarettes and exhausted wet flowers rotting in piles taller than gravestones, he'd smell of clean cotton and man, and together, when he'd hug her, they'd drown in the scent of stale damp metal and cement dust.
"You haven't," he'd say. And as a rare exception, Ved'ma would think - this time this bastard Graves is right.
*Всем поебать [vsem poyebat'] - no one gives a fuck
CW: Graves x Ved'ma (female OC), a heavy-themed plotless drabble, episodes of war (it's about Russia's war on Ukraine), drone attacks, thoughts about nuclear war, allusions to Ved'ma's past and to Phillip's work. Basically a vent piece due to some recent events.
"I heard."
Ved'ma doesn't look up. In the poor lighting - she sat in one place for so long the sun set and she still didn't turn the lights on - her eyes clearly reflect the endless stream of news she's soaking up like an old porous sponge from the screen of her phone. White, white, white - long text posts; blue - pictures from another meaningless big political meeting; a splash of orange - a video of something burning.
She pauses on that one. Stares at it for some time, as if trying to make out what exactly is engulfed in flames on the screen. Phillip approaches carefully, leaning over her shoulder to look too.
He isn't surprised to not recognize the bulding a drone is crashing into with a loud orange explosion, erupting into black smoke. He can't read the caption either - it's in Russian.
"That's-"
"Not my house."
Ved'ma finally lifts her head - her neck cracks painfully - and straightens up with a wince. Graves reaches automatically, places a firm, calloused palm on her shoulder and begins squeezing and kneading completely wooden muscles to bring them back to life.
"No victims in this one," she says, and they both know - it just means there were in some other place. There always are victims. The whole world is full of them.
They both aren't, though.
Phillip thinks - if she was just a civilian, he would say: it won't last forever. He would say: it will end eventually. Maybe he would even say: they'll pay for it.
Ved'ma is a civilian only on a technicality - the one that made her knee painfully swell yesterday out of nowhere again and the other one that could cause her problems with papers if she wasn't dating Phillip motherfucking Graves. She won't buy "it will end soon" or "justice will prevail"; she won't even buy "it will end some day" and "they won't win".
Maybe she would fifteen years ago, when she was still Ellie with a burning heart and unbeatable idealism in those dark eyes - the one Graves helped snuff out with the very same hands that are stroking her warm skin and reintroducing bloodflow into her neck now. Maybe even Ellie wouldn't - only the little girl that was dreaming of marrying Tin Man and living in a country of blacksmiths with him.
But the wicked witch sitting in his living room is full of bitter battery acid. Her passion went rancid and bled black out of her eyes. She knows war is endless, she knows there is no justice in the world, she knows she has no power to make anyone pay.
"They will burn with all of us," Graves says instead, leaning in and pressing his face into her temple. His voice rumbles deep in his throat, like an engine of a death machine - he doesn't mean inferno or some divine punishment after death; he means literal fire, atomic bombs going off and taking the melting world apart. His eyes flutter closed when he feels Ved'ma's hand come up and hook over his neck, pulling him even closer.
They would make a fine couple of nuclear shadows together. A tad bit confusing, but very sincere.
"I want them to burn," Ved'ma's voice carries so much hatred it comes out audibly compressed out of her constricted chest. It ignites Graves: not because it turns him on - too scary for that; but because he effortlessly sees through it for what it really is: stubborn, undying, same as ten and twenty years ago love.
The girl never changed, Ellie never truly died - they're here, in his, no, their living room, living and breathing the same dream of a better world. They just got older. And - Graves smiles against her cheek uncontrollably - even more beautiful.
"I got a good contract today," he murmurs and, before Ved'ma can chew him out, adds, sliding an arm around her waist. "A special delivery. To someone you would approve."
He could be lying: there is no way for her to know if he's telling the truth. When she tilts her head back finally - neck mobile again - and looks at him directly, Phillip sees quiet, calm trust in her eyes.
The words "I love you" can't come out of her mouth: too inapproriate in the moment. Instead, Graves settles on taking a soft, thoughtful kiss.
He can't burn them all for her. But unlike most days, today he can light a little match.