#guerrasucia

[carabanchelnet]

PRESIONES A LA JUEZA DE LA DANA Wyoming se acerca al pico de mesa para reflexionar sobre las presiones que está sufriendo Ruiz Tobarra, la jueza de Catarroja que investiga la gestión de la DANA 🗨️ "Después de una tragedia que costó 228 vidas, está claro que debería existir una cosa libre de fango: la acción de la justicia" Video publicado por El Intermedio @El_Intermedio

[carabanchelnet]

LA JUEZA DE LA DANA ACOSADA POR LOS MACHISTAS Cuando el trabajo realizado por una mujer incomoda SIEMPRE aparece el machismo. Hoy un ejemplo más: La Jueza de Catarroja que investiga la #DANA, es acosada y denigrada. Video publicado por Afra BR @AfraBlanco

[carabanchelnet]

ESTADO JUDICIAL GUERRA ABIERTA "Hay una guerra judicial abierta de jueces controlados por la derecha para tumbar al Gobierno, tumbando la ley de amnistía y tumbando a Sánchez. Histórico y extremo. Van más allá del lawfare a Podemos y Oltra. Peinado…" @ErnestoEkaizer 🔴Ver informe👉 https://youtu.be/4wEAXoPz4ck?si=VOS4YzYHSx2Fyq4e Video publicado por Jesús Cintora @JesusCintora

[carabanchelnet]

📌La sombra de la Policía Patriótica vuelve: filtraciones, espías y revancha 📌Más de 2.000 tesis doctorales forman el lema “uni pública” en la Complutense para luchar contra las privatizaciones de Ayuso 📌El “paisano”, pareja de Ayuso, a un paso del banquillo por falsificación de documentos y fraude fiscal. [Vídeos-P’alante] 📌Madrid: concentración en apoyo al Pueblo Valenciano https://carabanchel.net

[carabanchelnet]

SANTAMARIA DICE QUE NO SABIA NADA DE LA POLICIA PATRIOTICA Soraya Sáenz de Santamaría dice que no sabía nada de policía patriótica, Ione Belarra le dice que vaya manera de hacerse la tonta. Más clara no puede ser la secretaria General de Podemos. Video publicado por DΛVID ƧΣGӨVIΛ🏳️‍🌈💜🔻@dsegoviaatienza

[fidelgascuenya]

Simple y directo… 🤷‍♂️😢🥷🏴 #colombia #cocaina #guerrasucia #paramilitares #asesinatos https://www.instagram.com/p/CP9LqSSM8eG/?utm_medium=tumblr

[dirtywartheatre]

Information for Foreigners by Griselda Gambaro

Griselda Gambaro.

Photo by Enrique Cervera.

Argentine playwright, Griselda Gambaro, quickly became one of the most prolific writers before, during, and after the guerra sucia. However, a work that’s made a significant impact during the war and today’s world is the deeply impactful, Information for Foreigners. Written in 1971, Information for Foreigners was written in service of audiences who came to see the show and be fully integrated into it. It is compiled of 20 scenes that are relatively short but impactful and give the audience the illusion that they are bystanders silently watch the effects of the junta attacking, murdering, and displacing hundreds of thousands of Argentine citizens. 

[dirtywartheatre]

Post-War Theatre; The Abuelas by Stephanie Alison Walker

Gabriela (Luisina Quarleri) has learned a secret about her birth that calls her whole identity into question. Soledad (Denise Blasor), the woman who raised her, has no idea that Gabriela has found out what she’s spent 37 years hiding.

(Courtesy of Jenny Graham)

 With a rise in community upbringing, many plays inspired a new impact. One of the most influential plays follows themes of family, dictatorship, love, and identity: The Abuelas, a play by Stephanie Alison Walker tells the story of the long and devastating repercussions of the military dictatorship from 1976-1983. Through engaging the arts, the people were able to connect with these hardships on a level that felt more personal. “The Abuelas explores these questions as well as the heart’s capacity for forgiveness even in the face of the harshest betrayal.” 

The Abuelas follows the story of Gabriela, a young woman who discovers that she is one of the daughters of the “Disappeared.” Although the character herself did not experience the direct hardships that came from the war, the long lasting impact left her to discover the questions many have been too afraid to answer. From Gabriela’s perspective, she only knows what she has been told from the historical standpoint of things. The thesis of the piece explores the idea that there is no escape without a resolution. Surface level information doesn’t always give justice to the forgotten stories of the ones who disappeared. 

Cruz Gonzalez Cadel, left, and Ilse Zacharias in The Abuelas.

(Photo credit: Joel Maisonet)

The Dirty War left a generational impact amongst the Argentinian people. This work serves as a reminder that even though the war ended, the cruelty of tyrants and regimes live long after their passing.