#hancockshakervillage

[doug-peabody]

Hancock Shaker Village - Pittsfield MA . . . @hancockshakervillage #hancockshakervillage #shakers #shakersofinstagram #museum #museums #museumsofinstagram #instagood #instadaily #inspiration #photography #photograph #nikonphotography #photooftheday #picoftheday #pittsfield #pittsfieldma#massachusetts #ma #newengland #unfiltered (at Hancock Shaker Village) https://www.instagram.com/p/CMQu812FtG_/?igshid=jxziq2ks59f2

[habituallychic]

One if my favorite places we visited in the Berkshires was the @hancockshakervillage. I found the simplicity of design and color choices infinitely inspiring. A place for everything and everything in its place is a great motto to live by too. #hancockshakervillage #shakers #berkshires #habituallychictravels (at Hancock Shaker Village) https://www.instagram.com/p/CDsUGadnMmt/?igshid=ooi4bi5ejscj

[hancockstories]

1962 | The Mary Parsons Collection

John E. Parsons died in 1915, leaving his fortune and property to his six children. To his two unmarried daughters, Mary (1863-1940) and Gertrude (1870-1927), he left Stonover Estate in Lenox, Massachusetts. The sisters, then in their 50s, immediately set out on adventures to China and Europe and remodeled the Victorian manor into a French country home with yellow stucco and a sprawling terrace for summer parties. The lavish parties they hosted included after-dinner lectures from academics, artists, and revolutionaries including Aleksandr Kerensky (1881-1970), a key figure in the Russian Revolution (1917).

After Gertrude’s death, Parsons threw herself into her passion for conservation and in 1929 she founded the 350-acre Pleasant Valley Sanctuary in Lenox. She opened the trails on her estate to fellow nature enthusiasts and in the 1930s reintroduced beavers to the state.

Between creating a sanctuary and hosting a weekly lecture series, Parsons befriended the brothers and sisters at the local Shaker communities. In 1938 she purchased a collection of furniture and objects directly from the Shakers to decorate a bird sanctuary barn on her property. Twenty years after her death Shaker Community, Inc. acquired 50 of those pieces. Parsons was fondly remembered by her friend Amy Bess Miller as having “not one pretense about her.”

[hancockstories]

1962 | The Vincent Newton Collection

Vincent Newton was a friend of the Millers and the Andrewses and an early supporter of Hancock Shaker Village. Like many collectors whose objects form the foundational collection of the museum, he knew the Shakers personally. He had a summer home in Charlemont, Massachusetts, and often visited Hancock. Newton continued to visit the Village after it became a museum and would often delight the staff and trustees with his personal stories of the Shakers.

The fledgling Shaker Community, Inc. was looking for artifacts to fill their numerous buildings and in 1962 a portion of Newton’s collection became available. A curated selection of objects, many with Hancock provenance, were chosen by Andrews and presented to the trustees for purchase. Upon approval, Andrews rented a truck and retrieved the new acquisitions himself.

Amy Bess Miller heard that Newton was looking to sell two gift drawings from his collection and she inquired about purchasing both. He told her that he had already promised one to the Abby Aldrich Rockefeller Folk Art Museum so instead she convinced him to let her pick first and selected "A Present from Mother Lucy to Eliza Ann Taylor" by Polly Jane Reed.

Photo:  "A Present from Mother Lucy to Eliza Ann Taylor," by Polly Jane Reed. Collection of Hancock Shaker Village. 

[hancockstories]

1842 | Holy Feast Days on Mount Sinai

Out of the woods just North of Hancock Shaker Village rises Shaker Mountain. One mile up the trail, over a stream and through lush greenery, lies a small clearing, known to the Shakers as the Holy Feast Ground, or Mount Sinai. In 1842, the Hancock Shakers began using this remote clearing in the forest for their Holy Feast Days. In the center, they erected a monument called the “fountain stone,” which offered “the water of life.” Family by family, the Shakers hiked up to this site to gather around the fountain and share a spiritual worship experience. The Shakers exchanged “spiritual gifts” -- songs, dances, and verbal testimonies inspired by the divine. They laid out a “spiritual feast,” not a feast of actual food and drink but, instead, a feast of exotic foods and wine sent from the spirit world. 

This worship practice represents a brief shift in Shaker culture towards spiritual expression that occurred during the period of “Mother’s Work,” also known as the “Era of Manifestations.” 

Image: David R. Lamson, Two Years Experience Among The Shakers (1848)

[hancockstories]

1943 |  The Hancock Shaker Cemetery Monument

Sitting on U.S. Route 20, just opposite the Trustees’ Office & Store, perches a lone monument surrounded by a wrought iron fence. This is the Shaker Cemetery; however, it is not the *first* cemetery used by Hancock Shakers. Beginning in the 1780s, early community members were interred at the Shaker burial ground near the former site of the West Family. One of the earliest families to convert to Shakerism, the Tallcotts, brought with them their property and land, including their family burial plot. The Hancock Shakers were buried in this same plot until the “Winter Fever” epidemic of 1813 that, unfortunately, necessitated the establishment of a larger plot of land in which to bury the dead. 

In 1943, the nearly 250 individual Shaker gravestones erected at the Hancock Cemetery were replaced with the single monument you can see here today. The monument honors all the Shakers buried there. Its inscription reads:

In loving memory Of members of the Shaker Church Who dedicated their lives To God and to the good of Humanity Passed to immortality.

Photos: Ben Garver

[hancockstories]

1962 | The Charles Sheeler Collection

Charles Sheeler (1883-1965) rose to fame in the 1920s as part of the Precisionism art movement. His realistic paintings and photographs of factories, turbines, and barns have minimal detail, focusing instead on the shape, simplicity, and geometry of architecture and industrial design. Along with fellow American modernists, Sheeler greatly admired the Shaker aesthetic. He described their architecture as examples of “utilitarian design” and “rightness of proportion,” often painting and photographing the Shaker sites at New Lebanon, New York, and Hancock, Massachusetts in the 1930s.

Sheeler also collected Shaker furniture for his home, and 15 of those pieces found their way into the collections of Hancock Shaker Village. The objects first arrived at the Village as part of a loan in 1962 and, subsequently, were purchased in 1963 for $10,000. When Sheeler’s gallerist offered to sell the collection to the Village, Amy Bess Miller raised the funds by calling on friends and collectors to donate -- notably the Rockerfellers. Though the Charles Sheeler Collection is small, the pieces are exceptional examples of Shaker design, and many have clear Hancock provenance. Unfortunately, Sheeler never saw his objects on display back home in the Brick Dwelling, he died in 1965 of a stroke before he could visit the Village.

Photo: The Sheeler Collection arriving at the Village in 1962. The handwriting is by Amy Bess Miller, who pasted this photo into one of her many scrapbooks.

[hancockstories]

1925 | Eldress Caroline Helfrich and her Chickens

https://soundcloud.com/user-925329379/eldress-caroline-and-her-chickens

This memory of Eldress Caroline Helfrich (1837-1929) and the Hancock chickens was recorded by Olive Hayden Austin (1896-1987), who lived with the Hancock Shakers from 1903 to 1935.