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Hangsan

Can somebody tell me where the very last high note comes from???

At the very last 6 seconds of the track when Jhope said „hangsan“ there is this echoy one beat sample in the background and I recognize that from another BTS song, probably from their very older songs. I‘m not even sure if its from a BTS song or not but it sounds so familiar pls did someone hear that too?

I associate that with the „let’s rock“ shoutout at the beginning of sistar’s touch my body but then at the same time I also have black haired Jimin in my head. What is this? Help

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Hangsan Art Pottery http://www.hangsan.co.kr Http://www.facebook.com/hangsan.co.kr

Hangsan´s Climbing Kiln, a Traditional one Which Uses Korean Pine-tree as its Wood Hangsan makes his products in a traditional kiln using only Korean pine trees for fuel. He says, “There´s no other way to develop this verifiable transparent scarlet Jinsa colour except when we resort to the traditional way.” As he says, Jinsa designs in his works shine like jewels, restoring the lost beauty of Joseon white porcelains. What should be the most urgent problem to solve for the Korean potterers of today among the many unsolved? Master Lim argues as follows : “The first thing is to establish his own artistic world through a deep study of design, including the study of glazes and patterns. After then, he needs to be able to produce high quality works. Finally he needs business skills to advertise his art sincerely and continuously. Hangsan could make an important visit to China in the 1990s, when the diplomatic relationship was not normalized between Korea and China. Visiting China as a member of the Korea Fine Art Association, he was greatly impressed by the Chinese art policy. I was surprised to find that they had fixed the official prices of products which should be respected in the world market for their famous artists, mostly belonging to the Arts Association, were officially fixed according to their size. by each items in the world market. At that time in Korea, even the selling prices of above mid-level artists´ products were not officially fixed yet in the world market. Viewing at the difference of national power between the two countries, I felt once again a keen necessity for an advertisement of our artists on the government level. If the government continues to protect and advertise its artists systematically, Hangsan believes that Korean potterers, before long, would be able to make a national benefit in the world market, keeping their own pride and dignity.