I just re-read Lesser Known Cliches and I must know: are Eliot's book covers in contemporary style or old horny oil painting style?
Thank you so much for sticking with my neglected baby!! I’m actually about 1/3rd through editing the next chapter, finally, though it’s slow-going. Life, etc. I appreciate hearing from you as I get back in the groove. 💗
So, the subject of Eliot’s book covers is something I’m [tentatively] planning on addressing in the third[ish] chapter, but the quick lowdown is his backlog historicals are done in oil-style, but not his significantly more popular contemporaries. Those are tied to a Netflix series, Bridgerton-style, and are therefore subject to a lot more control by a lot more higher-ups, so he doesn’t get much of a say. 
At the same time, the more popular he gets, the more his imprint at HarperCollins also wants to reissue the historical backlog with block-cartoon covers, since they’ll give the work more mainstream appeal, thus improving sales and The Brand. But Eliot refuses to budge, since he feels like he’s already compromised too much to get to where he is. [This is basically his non-romance internal struggle in the fic, though more to do with his queerness, which is in connection with Quentin’s internal struggle re: his autism.] Eliot takes the few remaining bodice-ripper covers as a symbol of resistance, and he’s pretty “cold dead hands” about them.
Anyway, I do tend to change stuff up as I’m writing from my outline, so I can’t guarantee how much of this will actually make it into the fic, but I can guarantee a happy ending for all his covers! By the epilogue, I promise they will be oil and melodrama all the way down. Even if, you know, this detail doesn’t appear on the page ;)













