Gaby Morlay-André Lefaur-Harry Baur "Sansón" (Samson) 1936, de Maurice Tourneur.

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Gaby Morlay-André Lefaur-Harry Baur "Sansón" (Samson) 1936, de Maurice Tourneur.
LES MIS LETTERS IN ADAPTATION - The Heroism of Passive Obedience, LM 1.2.3 (Les Miserables 1934)
The door opened. It opened wide with a rapid movement, as though some one had given it an energetic and resolute push. A man entered. We already know the man. It was the wayfarer whom we have seen wandering about in search of shelter. He entered, advanced a step, and halted, leaving the door open behind him. He had his knapsack on his shoulders, his cudgel in his hand, a rough, audacious, weary, and violent expression in his eyes. The fire on the hearth lighted him up. He was hideous. It was a sinister apparition.
""LIBERTE, LIBERTE CHERIE" au Cinéma de Paris," Le Petit Journal (Montreal). May 20, 1934. Page 19. --- Jean Valjean (Harry Baur) est mis face à face avec son mortel ennemi Javert (Charles Vanel.) Se vengera-i-ii?… Pardonnera-t-il?… Une scène émouvante de "LIBERTE, LIBERTE CHERIE", le 3ème et dernier épisode des MISERABLES que le Cinéma de Paris met à l'affiche aujourd'hui.
HARRY BAUR & CHARLES VANEL in les misérables (1934)
mollenard / hatred (fr, siodmak 38)
Of all the things written about Charlie Chaplin, both, yesterday and today - this piece from 1920, written by French actor Harry Baur is just spot on.
At his core, he had the true heart of a clown.
Photo, my favorite, taken on set of “The Kid” circa 1920.
When a passer-by gets stuck under a cart, citizens of Montreiul sur Mer are not that surprised when their altruistic mayor, whom they call M. Madeleine (Harry Baur) saves the day, even as he's recognized by old acquaintance Javert (Charles Vanel), in director Raymond Bernard's celebrated 1934 version of Victor Hugo's Les Miserables.
I can’t share the video directly to Tumblr, but there’s a few video clips from 1934 here!