i love Orlesian mask culture, though?? like the whole idea behind it is not to hide one’s identity behind a mask but actually to reveal one’s identity with a mask. it’s such a fascinating inversion of what you’d normally assume a “mask” means or is intended for. the masks proclaim identity, and they proclaim loyalties. they trumpet one’s role and one’s status – harlequins all wear the same mask as each other, the degree of elaboration of a mask tells you at a glance if this person is noble (and if so, how important their title might be) or if they work in the household of a noble. you can look at the mask and immediately know relevant details of who and what the person in front of you is.
and then there’s the quote from vivienne:
We all wear masks my dear, not just the people in Orlais. Orlesians codify this truth, make it visible. By giving each of these selves its own separate face, they believe they can be their truest selves unmasked.
and if you put that together with what Cole says if you ask him if he liked the masks at the ball (“Those weren’t their faces?”) you can really begin to understand the psychological and maybe emotional or even spiritual connection Orlesians have to their masks. because yes, the masks truly are their faces.
(as a side note, given the existence of the cult of Masked Andraste – Andraste, worshiped in a huntress aspect, and masked (as she is nowhere else even in Orlesian culture) – from the Last Court game in the DA Keep, i have a feeling that Orlesian mask culture dates waaaay back, to the pre-empire days, and probably directly to tribal Ciriane beliefs. the Masked Andraste herself is likely to be a pre-Andrastian huntress deity slapped with a thin coat of Chantry paint, a holdover from Ancient times.)












