Revs Roller - Wooster St. NYC (1999)
134 Wooster St. btwn Houston and Prince
SoHo 🍎
(Current downtown location of Hauser & Wirth across the street)

seen from Malaysia
seen from Russia
seen from United States
seen from China
seen from United States
seen from China
seen from Sweden

seen from T1
seen from China

seen from Guatemala

seen from Malaysia
seen from United States
seen from United States
seen from Malaysia
seen from Türkiye
seen from Brazil

seen from Malaysia

seen from United States
seen from China

seen from Malaysia
Revs Roller - Wooster St. NYC (1999)
134 Wooster St. btwn Houston and Prince
SoHo 🍎
(Current downtown location of Hauser & Wirth across the street)
“MORE (もっと)” by Jaevonn is an aesthetic declaration of multidimensional mastery. With a regal figure lifting the Earth as if it's nothing but another crafted move in his choreography, the piece refuses traditional depictions of burden. Here, weight becomes willpower. Surrounded by symbols of American speed and violence—guns, baseballs, a burning landscape—he remains unwavering, poised, divine.
The golden Baroque cross does not hover in salvation—it radiates from within. The reimagined Black American flag speaks not of protest but of perspective.
And the Japanese word “もっと” (“more”) is not a cry for help. It’s a mantra. A global, disciplined reach beyond limits.
This is not survival. This is supremacy through self-control.
Amy Sherald
Dear Rashid (Bruce Morrow, 2022)
#dearrashid #brucemorrow @bmorrow646 @hauserwirth @rashidjohnson #rashidjohnson #hauserandwirth @artsy @artnews #digitalart #digitalstorytelling @jeffreydeitchgallery @artforum @creative_capital @visual_aids @theshedny @beyonce #beyonce #fredwilson
x.
los angeles, ca.
Roni Horn, LOG (March 22, 2019 - May 17, 2020), one of 406 sheets
Larry Bell, Still Standing, at Hauser & Wirth New York.
George Condo.