#hauserwirth

[freshthoughts2020]

“MORE (もっと)” by Jaevonn is an aesthetic declaration of multidimensional mastery. With a regal figure lifting the Earth as if it's nothing but another crafted move in his choreography, the piece refuses traditional depictions of burden. Here, weight becomes willpower. Surrounded by symbols of American speed and violence—guns, baseballs, a burning landscape—he remains unwavering, poised, divine.

The golden Baroque cross does not hover in salvation—it radiates from within. The reimagined Black American flag speaks not of protest but of perspective.

And the Japanese word “もっと” (“more”) is not a cry for help. It’s a mantra. A global, disciplined reach beyond limits.

This is not survival. This is supremacy through self-control.

[eiginleiki]

Amy Sherald

[bruce-morrow]

Dear Rashid (Bruce Morrow, 2022)

#dearrashid #brucemorrow @bmorrow646 @hauserwirth @rashidjohnson ⁦#rashidjohnson #hauserandwirth @artsy @artnews #digitalart #digitalstorytelling @jeffreydeitchgallery @artforum @creative_capital @visual_aids @theshedny @beyonce #beyonce #fredwilson

[htfphoto]

x.

los angeles, ca.

[collezionedicose]

Roni Horn, LOG (March 22, 2019 - May 17, 2020), one of 406 sheets

[artruby]

Larry Bell, Still Standing, at Hauser & Wirth New York.

[makeearthgreenagain]

George Condo.

[smokingdoor]

The Oudolf Field at Hauser and Wirth Somerset. Designed by Piet Oudolf and photographed by Jason Ingram.