Mar 10, 2019
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Headboggle - Polyphonic Demo - 44 one-minute tracks of synthesizer music, in a conscious nod to the Residents’ Commerical Album
San Francisco's Derek Gedalecia's long-standing HEADBOGGLE moniker has boasted over 100 releases in his twenty plus years composing and releasing music that spans from dense layered noise, synthesizer based works, avant neo-classical, to giddy electronics to ragtime piano, but none of these 100 plus releases have fully purged the deepest depths of unexplored sonic territories, with the inspired urgency and carefully honed strategic extraction of unheard sounds as his newest record, titled "Polyphonic Demo", to be released on CD and digital this November via Ratskin Records. On "Polyphonics Demo", Gedalecia abandons all notions of what experimental music is "supposed" to sound like to offer a exploding, tense, exuberant, yet refreshingly idiosyncratic take on synthesizer music. With forty-four one minute tracks, meant to be shuffled on CD or remain in their sequenced order, Gedalecia completely re imagines what is possible both compositionally and spatially within the confines of a sixty second track, or an electronic music album for that matter. "Polyphonics Demo" is the listening adventure of abstract, yet masterfully grounded take on electronic music we've all been waiting for.
13 track album
new on BANDCAMP since the last update:
------------------------------------------------------------------ Buchla Music Easel in Dualmono and Live
https://headboggle.bandcamp.com/album/buchla-music-easel-in-dualmono-and-live
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split w/ UTON
https://headboggle.bandcamp.com/album/split-w-uton
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Downton Abbey
by Hillboggle
https://headboggle.bandcamp.com/album/downton-abbey
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Serge In Dualmono remaster
https://headboggle.bandcamp.com/album/serge-in-dualmono-2
HEADBOGGLE
RED TAPE releases are up at http://headboggle.bigcartel.com
more tapes soon
be seeing you
Headboggle ~ Polyphonic Demo
Headboggle ~ Polyphonic Demo
The Polyphonic Demo joins a very special list of vignette albums that incisively approach the ‘industry’ of musicmaking, whether with an ironic cutting edge (The Residents, Jon Rose), or with a more earnest, almost naively inquisitive method (Yasuaki Shimizu). Headbogglerests squarely in the middle, with its suggestion of incompleteness, even amateurishness (it’s a demo, after all) finding echo…
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