I am the person who looks at these posed reading aesthetic photos to see if the purported reader is reasonably enough individual pages into the book to be past the table of contents.
At least open it up to the middle, guys.
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I am the person who looks at these posed reading aesthetic photos to see if the purported reader is reasonably enough individual pages into the book to be past the table of contents.
At least open it up to the middle, guys.
Earlier this year, I was monitoring a visitation for my CASA kids and the eldest one wanted to read a book from the room’s bookshelf. They apparently had never seen any Star Wars movies, but that was the book they chose off the shelf since they were SUPER excited about space that day because the solar eclipse had just happened. So they were sounding out all these made up Star Wars words as best they could while their mother tried to listen without correcting too much and discouraging them.
There were many, many delightful reimaginings of the pronunciations (and seriously, kiddo was doing the best they could not having ever heard them aloud before), but my favorite was pronouncing “Jedi” as “jeddy.” Just, go around and read something - say, a movie review - back to yourself that way. Further points if you, as my kid was, are Southern and so “jeddy” sounds like the pronunciation of “jetty” and now you’re imagining that Star Wars is about Luke joining a mostly defunct order of magical piers.
This Isn’t A Story About Carrie Fisher
This isn’t a story about Carrie Fisher.
I never met Carrie Fisher, never held a conversation with her, never got to shake her hand and thank her for decades of inspiring me to be braver than I felt and bolder than I was told I ought to be. So no, this isn’t a story about Carrie Fisher.
This is a story about Debbie Reynolds. And about me, the subject I know simultaneously the most and the least about. Mostly, it’s a story about stories and ripples and voices, both heard and unheard. If you’ll allow me, I’ll tell it to you.
When I was about four or five, I had two favorite actors: Jeremy Brett and Carrie Fisher. I loved plenty of characters and movies, but those were the actors I most adored. I expanded my list quickly enough, but Jeremy Brett and Carrie Fisher endured in a small clutch of most beloved people in my imagination.
I had a near miss of meeting Mr. Brett; my brother did meet him and obtained his autograph once when he came through on a press tour promoting PBS’ airing of his Sherlock Holmes series, but I was deemed too young for a school night press conference in Dallas and had to stay behind. I still remember my mother coming into our shared bedroom and telling us gently that he had passed away in his sleep. I carried that hurt around in my heart for a long time, worried at it and about his friends and family in the way of a child who doesn’t quite know how to wrap their arms around something so big as death.
So too did I treasure Carrie Fisher.
First, of course, as Princess Leia. And how could I not? Leia would have been nothing like the space princess we know and love without Carrie at the helm. Carrie’s Leia stood up to the galaxy’s most sinister villains — to their faces! — and told them to shove it. Carrie’s Leia withstood torture, shot a blaster with ease, shouldered the weight of incalculable loss, got her dress dirty having adventures, didn’t waste time on silly romances or batting her eyes, and was the sole face of a galactic rebellion for two thirds of STAR WARS. She was the rebel in that movie; the boys — her boys — were just trying to keep up. You can’t tell me that 99.99% of the version of Leia we got wasn’t down to who Carrie was herself and the choices she made for the character she read in that script. Truthfully, the only way to bring Leia back in Episode VII was as General of the Resistance, something which delighted me beyond measure. Leia Organa was never going to retire into quiet contemplation of the nature of the universe or become the little wife in Han’s shadow. No, she was going to keep fighting to her last breath for the dignity and rights of the inhabitants of the galaxy she swore to serve and protect. So you’re goddamn right I loved the Huttslayer from the moment my mother first introduced me to Star Wars. She was the first — and last — princess I encountered that I ever wanted to be.
My favorite part of BLUES BROTHERS was Carrie. The only part of WHEN HARRY MET SALLY I really liked was Carrie. I watched THE BURBS on Saturday mornings for Carrie, even if I didn’t get the plot at all as a kid. I was excited when she was one of the presenters for TCM movies, introducing classic films and sharing trivia about how they were made. I thought it was cool that Carrie was the daughter of Debbie Reynolds, who I loved in SINGING IN THE RAIN, as all people ought.
But I liked Carrie the interviewee too. I liked that Carrie wrote, and that the things she wrote did well. Carrie acted, Carrie wrote, Carrie took no shit from anyone. I wanted to act, I wanted to write, I wanted to strive into the future unapologetic but kind, witty but without malice. I admired Carrie and wanted to be like her, even as my mother wondered if it was prudent to let me like her so much, unaware as I was of Carrie’s personal problems.
Of course, I learned of Carrie’s struggles as I got older (just as I learned of Jeremy Brett’s). I learned because Carrie never shied away from confronting those things, never minced words about what it was like to live with mental illness, what it was like to live with addiction.
So that’s all great, you say, but I thought you said this was a story about Debbie Reynolds. Astutely observed, so I’ll get to the story.
Until I was sixteen, my mother was a television critic. TCA member, press tour twice a year, the whole nine yards. She worked for a company that syndicated her work to newspapers around the country, a features writer as well as — for a time — the head of her own department. When her company moved to upstate New York, we decided to stay in Texas, so mom started working from home and telecommuting with the New York office.
Because mom watched so much TV for work, for live action television we mostly watched Masterpiece Theater, Nick At Night, or classic movies. Prime time viewing was few and far between, and in truth I’ve never gotten much in the habit since, apart from the occasional season or things like The Daily Show. So I grew up watching a lot of classic films. And as a singer, I had a particular fondness for musicals for obvious reasons.
My mother took and recorded interviews over the phone often. Occasionally, we’d hear that she’d spoken to someone interesting, but mostly it was rote and we kept quiet and out of the way if we were in the house while she was taking a call.
But one afternoon when I was maybe eleven or twelve, my mom called up the stairs, saying someone was on the phone who wanted to talk to me.
That someone was Debbie Reynolds.
See, my mom had been interviewing her about a TV movie she’d been in and they’d wandered off the standard call and response questions a little. Ms. Reynolds was sharing about an upcoming road trip she was going to make and somehow, my mother mentioned in passing that she had a daughter who’d very much liked SINGING IN THE RAIN when we’d watched it together and who had taken to watching old musicals on her own because she had been singing since she was small and liked to learn the songs. And Debbie Reynolds asked that I be called to the phone so she could talk to me about old movies.
I won’t bore you with how shy I was once she introduced herself. She had me write down a list of five musicals she recommended I watch, with a special emphasis on GIGI. She asked me what my favorite musical was and when I asked about making SINGING IN THE RAIN, she said she had worked very hard and still remembered the words to the songs because she liked them just as much as I did. Silly questions and surely ones she’d heard before, but they mattered to me. And she was quite insistent about that list of movies I simply had to see if I liked musicals.
And then she told me, “I have a daughter who likes old movies too. We like to watch them together like you and your mom.”
I never mentioned Carrie to Ms. Reynolds. I knew that Carrie was her daughter, but my mom had trained us young not to be too fannish; everybody was just a person, she emphasized, some good and some bad, but still just people trying to live their lives. Besides, I was talking to Debbie Reynolds. I had plenty of questions and awe reserved just for her.
She didn’t have to talk to me. I never would have known she was on the phone and my mother never would have presumed to ask. But that’s who she is. She’s the kind of person who decides to take ten minutes to talk old musicals with a twelve year old for fun.
And just as much as the list and the conversation and the encouragement, I held the comparison to Carrie close. It’s not a profound one. Thousands and thousands of people watch old movies. There are two whole cable channels built around the concept. But there was a kind of benevolent, sideways approval in the thought that Carrie and I both liked old films and we both watched them with our moms. Even writing it down, I don’t know why it meant so much to hear that, but I imagine it’s at least partially because approval for being myself was a bit scarce in those days. Also, I just really liked the idea that Carrie was a woman with a mom and that they did mom and daughter things like my mom and I did. She was a person you could talk to just like Ms. Reynolds was a person I was talking to, who’d taken the time to talk to me. There’s a power in that kind of female camaraderie, and in that moment it felt like a closed loop of understanding and inclusion in something big and bright and exciting. I felt like a real person because Debbie Reynolds decided I was worth talking to and I felt like an interesting person with interesting things to say because she told me she and her daughter had similar interests to mine. In some very unpleasant hours, I’ve held that little thread of connection close to me and drawn comfort from the goodness of another person’s ten minutes of kindness to a silly kid who liked to dance around her living room singing “Make ‘Em Laugh” and “Good Morning.”
Ten years later, when I was twenty-three, I worked at Borders for the holiday season and the book Wishful Drinking came out. At the time, I was in the hardest stretch of my thyroid and adrenal problems, had left an office job I wasn’t able to keep up with only to flounder when the 2008 financial crash brought grand schemes of self-employment into rude focus, and I was (unbeknownst to me) halfway through about eight years of intensifying and unrelenting depression and anxiety, which would spit me out around age twenty-seven having lost a lot of time with not much to show for it except for burned bridges, a pathetic bank balance, and a need to start all the way over.
The cover of Wishful Drinking — which I frequently adjusted in the “New Books” shelving to reach maximum visibility — gave me strength to get through my day. A little ironic since the cover is of Princess Leia passed out, loosely gripping a martini glass while her head rests amongst scattered pills, but I never said the way my brain makes connections makes sense. The contents of the book gave me strength to remember these beasts of the brain can be wrangled and that you shouldn’t allow yourself to be shamed by the road you take to wellness. (I still struggle with that and I imagine Carrie’s words on that score will keep helping me long into the future.) Carrie’s voice helped to give me a bright pinpoint of light to focus on when I couldn’t sleep (one night literally, when HBO was re-airing her Wishful Drinking special), when I couldn’t pierce the mental fog I was swamped in, when I wondered if laying down until it all went away forever was the answer to how lost I felt. And when I was ready to hear it, Carrie reminded me that there’s no such thing as wasted time, a ruined body, or laughter more powerful than your own.
You may be wanting to remind me that I said this wasn’t a story about Carrie Fisher. It wasn’t. It was a story about a small kindness and the ripple effect it had on my life, the protection it provided from being overwhelmed by my own mind, the way it finally circled back and coalesced into the inspiration to keep pushing through. It was a story about how much knowing people like Carrie Fisher were out there in the universe pushing back the darkness, being themselves, and rebelling against the status quo for the good of others meant to me. It was a story about seeing a version of a woman out there in the world that made sense to me as a kid, a kind of person I could imagine myself wanting to be.
I don’t pretend my grief is a fraction of that of Carrie’s family and friends, especially not her mother’s, the woman who was so kind to me and for whom Carrie Fisher was first and foremost her daughter. But Carrie, if you’re listening, know that you were loved and that your example meant the world to those of us who needed it. Know that we will keep trying to fight the good fight, and that we will appreciate what we had in you with unending thankfulness for having experienced it in any way at all. Enjoy the stars and I hope wherever you find yourself, you find laughter there that never ceases.
Ten Things Update
In case the few of you hadn’t noticed, I’ve been away for a spell. This is because a confluence of RL stuff has kicked my ass the last two months, the most notable event being the death of my grandmother and the extra-gig scramble to put together the cash to go to her out-of-state funeral.
I’ve been watching movies and keeping rough drafts of Ten Things in the meantime and this last weekend I started cleaning up the drafts and back posting them on the appropriate dates. I’m only about 40% caught up, but I hope to be 100% by the beginning of next week.
That said, Sunday morning’s shooting in Orlando took the wind a bit out of my sails the last two days and I worked on an essay instead. So, the rest will instead trickle up between work projects this week and I’ll make another update post when we’re back fully on track
For those who haven’t seen any of the new posts from this weekend, they’re all available here.
Posted last Tuesday through Saturday:
Love & Friendship
Lady In The Van
Inside Llewyn Davis
Elstree 1976
On the way:
Macbeth (2015) - because there is not a single version I will not watch
High-Rise
Captain America: Civil War - Spoiler Version
X-Men: Apocalypse
Tale of Tales
Coming later this month:
The Lobster
The Nice Guys
Hello, My Name is Doris
The Neon Demon (hopefully)
Finding Dory
The Shallows
Dear Tumblr:
Please, please, please stop recommending blogs and blog posts to me that are for torrenting movies. While space piracy remains the dream, movie piracy is not my jam.
Exasperated but still somewhat fond,
Helen
Gender & Social Currency On Campus
A couple of weeks ago, the question was asked in one of my alma mater’s closed communities whether any of us had found that the community of the place reinforced gender roles — specifically, male gender roles — in a toxic manner. The asker said her husband had denied pressure toward gender role conformity at the college, saying he had never experienced any influencing toward restrictive gender coding at the school, and we can assume by extension that he would similarly conclude that there is no general tendency in the college’s culture toward the types of behaviors and attitudes that fall under the label of toxic masculinity.
One of my friends from the old bad years knew I was mulling this question over in my mind as to how I might respond based on my own experiences. I am posting these my somewhat discombobulated findings for them.
Favorite overheard parenting of the day: “Aw, honey, no. We don’t lick the glass. Your auntie is never going to let us come back.”
No Winning
In a recent interview, the interviewer noticed that I used the long explanation of the St. John’s degree -- y’know, the “double major in Philosophy and History of Mathematics & Science, double minor in Comparative Literature and Classical Studies” one? -- because just saying Liberal Arts is pretty toxic for the most part anymore.
Her response to reading the long explanation was: “Oh, does this mean you had a hard time deciding what you wanted to do?”