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A — Soap Glass Typography Study This study explores typography as a physical phenomenon rather than a graphic system.
The letter “A” is formed from thick, iridescent soap-glass.
Color is a result of optical behavior — refraction, dispersion, internal reflection — not surface treatment.
Air bubbles are trapped inside the glass volume, varying in size and position, introducing imperfection and tension without decoration.
A material-first approach to type.
B — Cast Metal Typography Object This study treats typography as a physical body. The letter is formed as a single cast metal object — no parts, no joints, no assembly logic. Material behavior defines the form. Not styling. Not symbolism.
Inflated Letter C — 3D Typography
Photorealistic 3D typography experiment showing the capital letter C as an inflated soft object.
The surface reveals pressure, folds and tension while maintaining strict geometric letterform proportions.
A material-focused approach to typography as a physical object.
D — Soft Typography
Capital letter D constructed as a padded textile object.
The geometry follows strict sans-serif proportions while the material introduces softness, deformation and tension.
Fabric is stretched over volume, creating subtle creases where pressure accumulates.
No symbolism, no comfort narrative — this is a study of material behavior applied to typographic form.
Typography is treated as a physical body, not a graphic sign.
Erste Runde meiner KI-Typografie-Experimente mit Adobe Firefly. Faszinierend zu sehen, wie stark sich Material, Licht und Form über Prompts steuern lassen.
Dieses flauschige „Z“ ist der Anfang einer kleinen Alphabet-Serie. ✌️
Renowned Japanese designer Nobuo Araki’s firm The Archetype has created ‘The Mass’—a contemporary art gallery located in the back streets of Omotesando, the bustling shopping...
Swedish architecture firm Johan Celsing Arkitektkontor has designed ‘Årsta Church’—a community church in Stockholm.
In Stockholm, A Community Church ThatEpitomizes A Space For Contemplation
