#hlekter

[archive-vqndekamp]

𝐃𝐘𝐍𝐀𝐌𝐈𝐂   𝘣𝘳𝘦𝘦 & 𝘩𝘢𝘯𝘪𝘣𝘢𝘭𝘢𝘴.   001/?   *   ⤻   @hlekter​

i have a particular tenderness for you.

[blkvdova]

hlekter replied to your post:                   first   of   all,   like   what ...

you blurring out scarjo’s face im HFKHDSKJD thank you nyx for your elaboration ��

i   care   about   all   of   you,   so   ofc   im   gonna   blur   out   her   face.

[pupaes]

[     𝒊.     ]     🖤     𝐃𝐎𝐂𝐓𝐎𝐑          𝐇𝐀𝐍𝐈𝐁𝐀𝐋𝐀𝐒          𝐋𝐄𝐊𝐓𝐄𝐑𝐈𝐒.            [ @hlekter​. ]

❛❛               𝚀𝚄𝙸𝙳     𝙿𝚁𝙾     𝚀𝚄𝙾,               𝙳𝙾𝙲𝚃𝙾𝚁,               ;               that’s     the     game.               did     you     contemplate     gumb,               [               ｐｌａｙｉｎｇ     ｔｒｉｃｋｓ,               ]               watching     me     in     the     dark     ?               moth’s     wings     flutterin’     across     my     cheek,                    alone               ———                    all     resources     pooled     into     that     goose     chase     you     set     the     senator     on     ?               𝒅𝒊𝒅     𝒚𝒐𝒖     𝒄𝒐𝒏𝒔𝒊𝒅𝒆𝒓     𝒘𝒉𝒂𝒕     𝒑𝒊𝒆𝒄𝒆𝒔     𝒐𝒇     𝒎𝒆     𝒉𝒆’𝒅     𝒇𝒂𝒏𝒄𝒚       ———        [               additions     to     his     suit     ?              ]                     was     it     a     test     ?               [     ...     ]           𝐖𝐀𝐒     𝐈     𝐀𝐍      𝐄𝐕𝐄𝐍      𝐆𝐀𝐌𝐁𝐋𝐄     ?               ❜❜     

[heaorte-blog]

mr policeman . . . .

yes………………………………………………….

[parasiust-blog]

are there any characters that inspired you to create sergia ? if so, what are the traits that build her as her own character ?

          𝐭𝐨 𝐛𝐞 𝐡𝐨𝐧𝐞𝐬𝐭,         𝐭𝐡𝐞𝐫𝐞'𝐬 𝐧𝐨𝐭 𝐦𝐚𝐧𝐲 𝐜𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫𝐬 𝐢𝐧 𝐭𝐡𝐞 𝐦𝐞𝐝𝐢𝐚 𝐭𝐡𝐚𝐭 𝐢 𝐥𝐨𝐨𝐤𝐞𝐝 𝐭𝐨 𝐟𝐨𝐫 𝐢𝐧𝐬𝐩𝐢𝐫𝐚𝐭𝐢𝐨𝐧 ; 𝐢 𝐝𝐢𝐝 𝐭𝐡𝐚𝐭 𝐦𝐨𝐫𝐞 𝐰𝐢𝐭𝐡       entire films than singling out like   .  .  .   one character out of the entire thing,     if that makes sense.         that being said,       i have singled it down to like three      (   one of which isn’t shown     )     characters in films that have influenced sergia,     in any way.

𝙼𝙸𝙰 𝚆𝙰𝙻𝙻𝙰𝙲𝙴, 𝙿𝚄𝙻𝙿 𝙵𝙸𝙲𝚃𝙸𝙾𝙽 ( 𝟷𝟿𝟿𝟺 ):         i feel like this one is more appearance   -   based as i was tempted to just icon uma thurman in this film       &       use her as sergia’s faceclaim,       but she is where a lot of sergia’s larger details come from    –––––   primarily her appearance    /    the influence of me using sherilyn fenn as sergia’s face claim.      all i remember is that her character stuck to me because of the air around her   .  .  .   the way she looks at the other characters in the movie like she’s just achieved something,       or she knows that she’s got them under her thumb.

𝚃𝙷𝙾𝙼𝙰𝚂𝙸𝙽, 𝚃𝙷𝙴 𝚆𝙸𝚃𝙲𝙷 ( 𝟸𝟶𝟷𝟻 ):         this was a big one,       definitely.       i’ve been developing sergia for like two years now       &       this movie has always been an extremely large influence on who she is as a character.         more specifically,       the character       BLACK PHILLIP.         the incarnation of the devil,     or some demonic entity,       really set sergia’s entire being into place.         the ending words of black phillip,     where he begins to tempt thomasin         (     '   𝐖𝐎𝐔𝐋𝐃𝐒𝐓 𝐓𝐇𝐎𝐔 𝐋𝐈𝐊𝐄 𝐓𝐎 𝐋𝐈𝐕𝐄 𝐃𝐄𝐋𝐈𝐂𝐈𝐎𝐔𝐒𝐋𝐘   ?   ‘     )         is one of my favorites     .  .  .     this is how i suspect the creature to be,      when separated from its’ hosts,       hell even before it became apart of his hosts,       this is how it began its’ torment on sergia’s family     :     it promised them riches,     wealth,     opulence       &       they followed.

unlisted is a recent horror film named     RAW     which kind of is all about cannibalism.        the film follows a french medical student who,       after eating meat as part of a campus hazing,       begins to crave it,       specifically raw flesh.        the movie has a lot of red lighting,       a lot of those being a major aesthetical influence for sergia,       as well as the scenes where the main character is just    .  .  .    eating raw meat straight from the packs.

[hischurch]

❝       there   is   no   need   to   romanticize   hypothermia  .       ❞       he   shivers .     instead ,   he   is   overcome     by   a   nostalgic   longing   for   the   tranquil   neapolitan   summers   of   his   soccer-filled   youth .   his   SSC   NAPOLI   scarf   is   draped   more   tightly   over   his   shoulders .    these   are   the   moments   he   regrets   not   being   a   smoker   like    assente   or   pius   xiii .

i   remember   pius  xiii   sending   off   cardinal   ozolins   to   ketchikan ,   alaska  with   joseph   brodsky ’ s   words :    beauty   at   cold   temperatures   is   beauty .    it   contained   a   kernel   of   truth .   as   most   [   not   all   ]   of   his   words   in   retrospect .     no   matter   the   stringent ,    biting   wind   and   my   profound   desire   for   naples   at   summer ,    𝚃𝙷𝙴𝚁𝙴   𝙸𝚂   𝙿𝙾𝙴𝚃𝚁𝚈   𝙷𝙴𝚁𝙴 .

❝       but   you   might   find   god   here .       ❞     he   has   found   god   already ,   in   the   lonesome   tree   stark  against  the moon   and   the   hooting   of   owls .       ❝       frozen   to   death   perhaps ,    but   still  .       ❞  

ASK MEME :   “ WELL , IT’S UM - COLD AND BEAUTIFUL AND DARK . ”   /   @hlekter​ .

[oh7s-a]

♡          for               a          𝔹𝕆ℕ𝔻          𝘰𝘯𝘦     -    𝘭𝘪𝘯𝘦𝘳             𝘴𝘵𝘢𝘳𝘵𝘦𝘳 ,    

❝      -   —      there’s            always        something            𝗙𝗢𝗥𝗠𝗔𝗟          about        the           𝒑𝒐𝒊𝒏𝒕     𝒐𝒇      𝒕𝒉𝒆      𝒑𝒊𝒔𝒕𝒐𝒍      .   .   .      ,    ❞

                           (   @hlekter​ .  )                

[wisemien]

hlekter :  “ The safety of families————— interestingly, you merely consider the thought of safety of your agents, Crawford. If at all “

HE RESENTS THE STATEMENT AT ITS PREMISE,      rejects what it represents.  the part of him that wants to protest is not the part that doubts what lekteris has said to him,  rather it is the part that believes that there is some truth to it,  fears there is.  but jack knows himself,  and knows how to separate truth from those fears.  he’s had long enough to learn it,  enough mistakes behind him to draw from.

he doesn’t make so many mistakes these days,  though coming here is beginning to feel like one.  he wishes he had an alka—seltzer.  he fixes the other man with a steady,  somewhat unimpressed stare.  it is both honest and practiced,  as much bullshit as any of the faces one presents to the outside world are.

“  safety is relative,  ”      he remarks.  his tone is level,  even.  he lets his gaze sweep between them.  careful,  jack.  not taunting,  and yet:  look where you are,  and where i am.  honest and practiced.      “  there is a difference to how safe a well—trained fbi agent can expect to stay,  and how safe a housewife can.  i’m not seeking advice on how to keep my agents safe,  doctor.  ”