Haunting murder ballad aka Rose Connelly, from The Smithsonian Folk Ways archive, recorded by Moe Asch, 1946

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Haunting murder ballad aka Rose Connelly, from The Smithsonian Folk Ways archive, recorded by Moe Asch, 1946
Been All Around This World: The Southern Journey at 60
Hallelujah, Nathan Salsburg’s Alan Lomax-centric podcast is back for another season! This time around, Nathan is our guide on Lomax and Shirley Collins’ “Southern Journey.” Sixty years ago, the pair traveled through the American South, recording as many folk/blues/whatever musicians as they possibly could. Necessary listening -- tune in!
See That My Grave is Kept Clean
Thank you @verykindof for this excellent suggestion. It’s really great to hear from so many women what helps them “chill” in this crazy world we live in. I think this next radio show is going to be a great resource for calming that inner electric energy when it gets too frizzy.
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Una gran favorita del inabarcable legado de Alan Lomax (más de 10.000 grabaciones) hechas a toda clase de gente de la calle y del campo, la gran mayoría ignotos, otros conocidos como es el caso de Jelly Roll Morton, Muddy Waters, Woody Guthrie o Leadbelly. Algunos de ellos escucharon por primera vez su voz grabada gracias a Lomax.
Arriba, Ed Young (flauta fife y voz) y Hobart Smith (banjo) interpretan "Joe Turner" en Williamsburg, Virginia. La grabación se hizo a primeros de los sesenta como parte del proyecto "Music of Williamsburg", con Lomax como supervisor musical.
Lomax unió para la ocasión a los Spiritual Singers of Coastal Georgia con el batería de Bahamas, Nat Rahmings, el soplador de fife Ed Young, y el multiinstrumentista de Apalaches, Hobart Smith. “Joe Turner” se incluyó en el CD recopilado por Don Fleming, "The Alan Lomax Collection from the American Folklife Center", publicado el 31 de enero de 2012, aniversario del nacimiento de Lomax.
Lolo Y Manuel.
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'Chinquapin Pie,' from Hobart Smith. Banjo tuned gDGCD
Hobart Smith playing Cumberland Gap on In Sacred Trust: the 1963 Fleming Brown Tapes.