pianist Igor Levit knows how to clap back to certain people:

seen from France
seen from United States
seen from Türkiye
seen from United States
seen from Canada
seen from Greece
seen from Ukraine

seen from Ukraine
seen from United States
seen from France

seen from United States

seen from France

seen from Malaysia
seen from United Kingdom
seen from Yemen
seen from China
seen from Yemen
seen from China
seen from United States
seen from Russia
pianist Igor Levit knows how to clap back to certain people:
"No, I Am Not Getting Rid of My Thousands of CDs"
Here's another media influencer, with a legion of followers, who refuses to concede in his personal battle -- for now, at least, persisting in a battle that many of his followers still share. Fortunately, I would submit, this battle is relatively benign. New York Times classical music critic Anthony Tommasini confides why he's not giving up his obsession with physical CDs.
-Nick Moy
Read from the New York Times… Follow: Mosaic Records Facebook Tumblr Twitter
In der Süddeutschen Zeitung vom 16. Oktober ist auf der ersten Seite des Feuilletons ein Artikel über den Pianisten Igor Levit erschienen. Der Text beginnt als Musikkritik und endet als politische Attacke. Darin überschreitet SZ-Kritiker Helmut Mauró eine Grenze. Eine Erwiderung.
Auch im Feuilleton läßt es sich prima hetzen.
Gut, wenn jemand dagegen einschreitet.
The pianist on how his Twitter concerts became an internet sensation, his fears for the future of live music – and life in lockdown Berlin
Konzert aus der Quarantäne
It is overplayed all over pop culture. But the pianist Igor Levit says it is “one of the most beautiful pieces I know.”
a really lovely read to consider a piece the vast majority of us probably know (even if we don't know that we know it)
Igor Levit
(via Review: A Pianist’s Profound Vision of ‘Life,’ in Just 2 Hours - The New York Times)