insight out - landschaft und interieur als themen zeitgenössischer photographie, edition stemmle zürich new york 1999
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insight out - landschaft und interieur als themen zeitgenössischer photographie, edition stemmle zürich new york 1999
Who's peekin' out from under a stairway Calling a name that's lighter than air Who's bending down to give me a rainbow Everyone knows it's Windy
Who's tripping down the streets of the city Smilin' at everybody she sees Who's reachin' out to capture a moment Everyone knows it's Windy
And Windy has stormy eyes That flash at the sound of lies And Windy has wings to fly Above the clouds (above the clouds) Above the clouds (above the clouds)
original midi at https://www.midiworld.com/download/70
And Windy has stormy eyes That flash at the sound of lies And Windy has wings to fly Above the clouds Above the clouds
The Association - Never My Love (Insight Out 1967)
One of my favourite tracks sung by Brian.
Album Review of the Week: The Association - Insight Out (1967)
The Association's third album saw a turn towards more commercial viability than their previous releases. They had a new member (Larry Ramos), a new producer (Bones Howe) and even relinquished much of the instrumental work to session musicians in favor of attaining a radio friendly sound. This certainly worked on me, as it is the only Association record I own (besides their greatest hits) - and it does contain some massive standouts in their discography.
Wasn't It A Bit Like Now indulges in the vaudeville throwback sound that was popular at the time. To me, this often creates a clunky sound that can be somewhat fun but not something I would want to put on very often. (ex: The Monkees' Cuddly Toy executes and modernizes the sound very well). Almost 2 minutes in, there is a brief silence and then we get into a pop/garage bridge that morphs back into vaudeville and then ends with a very garage outro - makes for an interesting track, that's for sure!
On A Quiet Night is a ballad that sounds very of the time, a little baroque pop. The lyrics are imaginative and poetic but the sound doesn't really bring anything new to the table.
Bring out the harpsichord! We Love Us leans even more into baroque pop with some dreamy harmonies and cheesy lovey dovey sunshine pop lyrics. As one-note as this song is in general, I do love me some harpsichord so that is a win for me.
When Love Comes To Me is quite similar to the last track, sans harpsichord (though it contains the mid 60s obligatory flute solo) so it falls more into the sunshine pop category. Sounds nice, but nothing too exciting.
Windy was one of my favorite songs when I was really, really into 60s music. My biggest complaint now is that the vocals are mixed too low so it is difficult to fully enjoy it while straining to hear everything. Maybe I have a weird remaster, but I found it was true both with my vinyl and the version I bought on iTunes in an effort to be rid of the issue. However, the lyrics, melody and harmony are stunning and I love how bouncy and happy it is!
Reputation brings the edge with a rockier sound and grittier vocals.
Never My Love is one of their most famous songs. It is so completely romantic, I love how soft and smooth the vocals are and the instrumentation is gorgeous. The perfect song for a romantic moment! I also love the chorus that talks about how it is silly to fear that the relationship will end because of how obviously devoted they are.
Happiness Is brings it back to the sunshine pop sound, I think I even hear a little ukulele in there. I am not as much of a fan of the vocals on this one, the key seems a little high for those involved.
Sometime is a huge pivot as far as vocal style, definitely leaning in the vaudeville vibe there. Other than that, nothing too remarkable.
Wantin' Ain't Gettin' starts out with a crazy sitar intro that really reminds us what time we are living in here! This album has been such a crazy mixture of popular music styles of the time. The harmonies don't seem synced very well which makes the melody sound muddy and hard to follow.
Requiem For the Masses is a genius album closer, although it is a giant departure from anything we have heard so far. The lyrics use the imagery of a bull fighter that dies in a fight far from home as a metaphor for fallen soldiers in Vietnam. It is a layered, storied, textured, all around gorgeous song.
Aside from the singles (Windy, Never My Love, Requiem For the Masses) this album seems to have sold its soul in an attempt to gain commercial notoriety. The deep tracks are a crazy mash-up of several distinct sounds of the time (baroque and sunshine pop, Eastern influence) without any real uniqueness to its vocals or melody to make them a standout among the crowd. The singles are absolutely fantastic, however, so I am not going to toss this album in the donation bin any time soon!
This Week’s Amazon Featured Book of the Week is INSIGHT OUT by VANN JOINES, PH.D.
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