itsmerandi replied to your post: if you’re a classical musician and/or someone who...
ok this is a STORY. Mind you, it’s probably not a very interesting one for folks who don’t know or care about this kind of shit, but imma tell it anyway!
There’s this composer named Claud Debussy. Debussy is BASICALLY my favorite composer. Ever. I mean, I usually give Bach that honor, but if I’m being real, Debussy is RIGHT beside him in my hierarchy. Debussy is typically regarded as the defining composer of the impressionist era (though he apparently hated being described as impressionist!). I fell ENTIRELY in love with Debussy when I was 12 and had somehow wound up on a road trip to Rhode Island (like literally, I got home from school one day and my parents were suddenly like “pack a bag, we’re off to Rhode Island” and i was like ????? wat? but it was a GREAT trip) and along the way, my dad had turned to classical radio, and as I was dozing off, I heard THE. MOST. GORGEOUS. MUSIC. I. HAD. EVER. HEARD. It was the feeling of swooning, put into music and I was IN LOVE. But unfortunately, I didn’t catch the name of the piece - only that it was by Debussy. And at the time, I didn’t know NEARLY enough about classical music to be able to figure out what the piece was.
But FINALLY, about two years later in the 10th grade, my classical music education was well underway and I tracked down the piece - it was the 4th movement of Debussy’s quartet in G minor.
I listened to the other 3 movements and found that I loved them just as much. And bam, just like that, Debussy became one of my all time favorite composers.
Now, I ADORED this quartet for years. And then! I go to college. I’m a music major. And I’m fucking hating every second of it. I’m EASILY one of the better musicians at the school, but I’m constantly pegged as “the underdog” if for no other reason than because I was the only black girl and the other decent violinists were all asian. In my first semester, I get stuck in this shit quartet with players nowhere near as good as me, playing music that i HATE by Mendelssohn. Gross. I’m having a shitty time.
For the next semester, I have the opportunity to choose the music my quartet plays! I DEMANDED the Debussy quartet. AND MY WISH WAS GRANTED. And not only did I get to choose the quartet - I also got to choose who else would be in my ensemble. So I picked the best damn cellist at the school, the best damn violist, and one of the other top violinists. And??? Our coach that semester was, literally, one of the greatest violists in the country, if not the world. Like. She’s that fucking phenomenal. And she was an AMAZING coach. I loved her so much. I learned SO MUCH from her. And getting to play this quartet with these classmates under the tutelage of this coach was HEAVENLY.
Early on in the semester, I find out who’s in the other quartet - literally all of our rivals. My rival, my 2nd violinists rival, the violists rival, and the cellists rival.
So I’m like, oh, okay. No biggie. It’s whatev.
BUT!!! THEN!!! I find out they’re playing the Ravel quartet. Now, at this point, I wasn’t terribly familiar with Ravel other than that he was another impressionist composer. A contemporary of Debussy’s. They knew each other. They were frenemies.
So of course, I go and listen to the 1st movement of Ravel’s quartet.
And my jaw fucking dropped. I’m likee *bernie mac voice* wayment...
wayment... wait a FUCKING minute...
The ravel quartet. is a damn near LINE-BY-LINE RIP OFF!!!! of the Debussy. I even fucking looked it up and discovered that Debussy wrote his quartet like a solid decade before Ravel’s! And that Ravel almost literally used the Debussy quartet as a BLUEPRINT. Like, you can go through the music and fucking highlight the sections in all 4 movements that he damn near copy-pasted from Debussy. All he did was lower the key by a whole step and change some of the rhythms. But the melodies? The textures? The structures? ALL OF IT is lifted from Debussy.
Now, people say that Debussy and Ravel just had that sort of relationship where they both copied off of each other. That’s probably true. But Ravel’s quartet was so derivative to the point that I found it actually offensive and annoying. And I truly DON’T understand how anyone can have any respect at all for that quartet, considering how there is absolutely nothing organic or genuine about it. Like, you probably don’t even need to have much or any classical training to hear how similar it is.
So there I was, listening to this quartet that our rival group is gonna be playing, and I was FUMING!!! And I had my group all listen to it at our next rehearsal, and THEY were fuming, too!
The 2nd violinist goes, “This isn’t even fair. Why would they choose to play this when they knew we were doing the Debussy? What are we going to do?”
I said, “We’re going to fucking destroy them. That’s what.”