Sneak Preview: Yoasobi Bring J-Pop Spectacle to Hamilton
Sneak preview. Article proper drops tomorrow once I get photos from the Yoasobi press team. But I've spent a while writing this one so I want yous all to see it and get hyped. So. Get hyped. My first proper pop idol concert experience!
Yoasobi is the brainchild of Ayase and Lilas Ikuta (known mononymously as Ikura), collaborating with Japanese authors to turn their short stories into music. These songs are often accompanied by incredible visual storytelling to bring their songs to life, first taking their homeland by storm and now, slowly, the rest of the world is waking up to the might of J-pop’s newest idols. I got the chance to see them in Hamilton, ON last night, and it was unlike any other show I’ve been to! My first J-pop experience, the first time I experienced to idolatry and lore built around artists in the world of East Asian pop music.
Here are some extracts from my review, which should be out tomorrow. Read it with your evening tea!
“Ayase and Ikura dress the part, looking partly like pop idols and also like something out of a story themselves. They have excerpts from stories their songs are based on printed on their stage clothes, Ayase’s hanging off his trousers like a towel, as if the pages are waiting to slip away from them and come alive.”
“Shared memories transcend language barriers for fans and nostalgia, interspersed with live shots of the fans, many of whom have dressed up for the occasion in cosplay, somewhat resembles a Comic convention rather than a standard concert. Ayase’s riser is shaped to look like two books stacked upon each other and the screens look like books stood up: the Never Ending Stories tour is an immersive experience. […]There are interstellar visuals, laser beams darting across the stage and the stadium is dotted with a thousand stars. The awesome track (and I use the word in the most literal sense), combined with the galactic lasers have you feel like you’re in the middle of an epic anime fight scene.”
“Catch them on tour before the TD Coliseum shows inevitably turn into sold out Rogers Centre affairs.”















