LUNDI 20 AVRIL 2020
J.A. CAESAR - KOKKYOU JUNREIKA

seen from Malaysia
seen from South Korea
seen from United States

seen from United States
seen from Japan
seen from Russia
seen from France
seen from United States

seen from Maldives
seen from United States
seen from South Africa

seen from Malaysia
seen from Russia
seen from Mexico

seen from Germany

seen from United Kingdom

seen from United States

seen from United States
seen from Lithuania
seen from United States
LUNDI 20 AVRIL 2020
J.A. CAESAR - KOKKYOU JUNREIKA
Cosa fai qui? Anche se te ne vai in giro non succederà niente. Lo schermo è bianco. Qui sono tutti stanchi come te di starsene con le mani in mano. Chissà se qualcuno conosce qualche barzelletta… Sai qual è la differenza tra me e te? Tu non puoi fumare ma io, io sono libero. Non dovresti arrabbiarti così. Prova a distrarti un attimo. Posa la mano sulla ragazza a fianco a te. Avanti, stringi il suo ginocchio. Se non funziona non ti arrabbiare. Nessuno sa chi sei. Nessuno sa chi sono io; il mio nome non è mai finito sui giornali. Non ho un nome, sono senza soldi e sono sporco. […] Dopo quel film, quello con Ken Takakura che lotta come un demonio, sei uscito muovendo le spalle come se fossi stato tu a uccidere due o tre persone. Sì, tu! Che ti prende? Io non dimentico. Piangevo da solo nell’oscurità del cinema. Il mio nome è…
Doesn't quite have the energy of the old 70′s bootleg but it's still pretty great
Orphée Hiroshima J.A. Seazer, from the recording, “Kokkyou Junreika Recital” 1973
J.A. Seazer or Caesar "Kokkyou Junreika" Victor records 1973 Japan Psych Rock,Theatrical Rock.
full album....................
https://www.youtube.com/watch?v=nxl6yHFv8To http://www.lifo.gr/team/music/56638 full discography on discogs…… https://www.discogs.com/artist/746370-J-A-Seazer "It’s like a cross between a funeral procession, a live performance of The Doors’s “The End” taken to its furthest possible extreme, and the incendiary rantings of a street-corner prophet. J.A. Seazer’s Kokkyō Junreika (“A Pilgrimage Across National Borders”) distills most if not all of the glorious excess from the career of one of Japan’s counter-culture rock gods. It’s not a compilation record, but it might as well be — most everything you’d hear in a J.A. Seazer production is all here, in one 53-minute package. Invocations to the gods, tantrums, chants, Buddhist mantras, cries to the heavens, fuzztone guitar vamps — it’s all here. And yet it all doesn’t sound like an embarrassing leftover from the acid era; it sounds ageless instead of aged. I’ve argued with friends about whether or not this is ethnocentric — i.e., does it sound that much more powerful and exotic by dint of simply not being in English? I don’t think so. There’s something about the way Japan continually transmutes its spiritual roots into popular culture of one kind or another, all without seeming to cheapen it or turn it into just another roadside attraction. When “outsider folk” artists like Shuji Inaba, Kazuki Tomokawa or Kan Mikami (a frequent Seazer collaborator) step up and deliver with speaker-cone-tearing vigor, they transmit something not only deeply felt but deeply believed. It’s not slumming." - Text from Genji Press Named 5th best japrock album in Julian Cope's Japrocksampler Top 50. J.A. Seazer with his many ways to romanize his name is a pain to tag, he is also known as J.A. Caesar and J.A. Ceaser with and without the dots. J・A・シーザー - 国境巡礼歌 越後つついし親不知 [Echigo tsutsuishi oyashirazu] 転生譚 [Tenshoutan] 母恋しやサンゴ礁 [Haha koishiya sangoshou] 狂女節 [Kyoujo bushi] 英明詩篇 [Eimei shihen] 和讃 [Wasan] 人力飛行機の為の演説草案 [Jinriki hikouki no tame no enzetsu souan] 民間医療術 [Minkan iryou jutsu] 大鳥の来る日 [Ootori no kuru hi]
J.A. Seazer or Caesar "J・A・シーザー* - 田園に死す [Den'en Ni Shisu]" 1974 Soundtrack, Japan Psychedelic Rock ,theatrical rock
https://www.youtube.com/watch?v=KRlFX92w-8U
https://www.youtube.com/watch?v=aEeEu2Nd5OY
https://www.youtube.com/watch?v=ojZWUdUs4P8
https://www.youtube.com/watch?v=a9aRlA6M0Xo
https://www.youtube.com/watch?v=RLFEag6isZk
https://www.youtube.com/watch?v=OEvFobOY2XU
full discography on discogs......
https://www.discogs.com/artist/746370-J-A-Seazer
watch
http://www.lifo.gr/team/music/56638
Here are three 70's cult film scores from Japanese theatrical composer, J.A. Caesar (also sometimes spelled Seazer). The films, which I'll venture to describe as Japanese gothic arthouse horror, were directed by Caesar's longtime Tenjō Sajiki creative partner Shuji Terayama. Pretty wild stuff. Den'en Ni Shisu (Death in the Country)- 1974
Tracks. こどもぼさつ 謎が笛吹く影絵が踊る 化鳥の詩 地獄篇 桜暗黒方丈記 惜春鳥 短歌 空気女の唄 カラス 和讃 せきれい心中 人々はどこへ