Interior, Janice Biala, 1963, Brooklyn Museum: American Art
Size: Sheet: 12 3/4 x 10 in. (32.4 x 25.4 cm) Image: 12 3/8 x 8 1/8 in. (31.4 x 20.6 cm) Medium: Lithograph on paper
https://www.brooklynmuseum.org/opencollection/objects/107177
seen from Germany
seen from United States

seen from Italy
seen from United States

seen from United States

seen from United Kingdom
seen from China
seen from Malaysia
seen from Sweden
seen from United States

seen from Türkiye
seen from Türkiye
seen from Türkiye

seen from Türkiye
seen from Germany

seen from United States

seen from Malaysia

seen from United States
seen from Türkiye
seen from Türkiye
Interior, Janice Biala, 1963, Brooklyn Museum: American Art
Size: Sheet: 12 3/4 x 10 in. (32.4 x 25.4 cm) Image: 12 3/8 x 8 1/8 in. (31.4 x 20.6 cm) Medium: Lithograph on paper
https://www.brooklynmuseum.org/opencollection/objects/107177
JANICE BIALA “Untitled” 1959, oil on paper, 10 1/2 x 11 1/2 inches. Signed and dated lower right. Provenance: Private Collection, Maryland] Janice Tworkov (1903-2000) changed her name to Biala to differentiate herself from her older brother, Abstract Expressionist Jack Tworkov. The artist-siblings, Jewish immigrants from Poland raised on the Lower East Side, lived divergent lives. Janice Biala moved to France during the interwar period, where she socialized with some of the leading writers and artists in Europe, including Picasso, Matisse, Gertrude Stein, and Brancusi. There she embraced the modernist innovations of synthetic cubism, making quiet cityscapes and interiors that emit the gray light of Paris. Biala's first exhibition was at the Passedoit Gallery in Manhattan in 1936. She exhibited at the Stable Gallery in 1954, 1956 and 1961. In the 1970s and ‘80s she was represented by the Gruenebaum Gallery in New York and in the 1990s by the Kouros Gallery, and is currently represented by Tibor de Nagy, New York. “Biala was a painter of impeccable taste and remarkable intelligence, She had an intuitive feeling for composition and her orchestration of color was, at times, breathtaking." Despite her love of Paris, Biala never gave up her United States citizenship. She was at home everywhere. ”I never have the feeling of nationality or roots,” she once said. ”I always had the feeling that I belong where my easel is.” [See JaniceBiala.org] #janicebiala #biala #womenofabstractexpressionism #abstractexpressionism #abstracted #nycart #paris #provincetown #1950s #stablegallery #womenartists #berrycampbell (at Berry Campbell) https://www.instagram.com/p/CD5RCjdFNHZ/?igshid=17p6cylvf1zaw
“Les Arbes et le Mer: Provincetown,” Janice Biala, another female artist whose career and work deserve reappraisal. #janicebiala #femaleartist #artoftheday #artcurator #womenofabstractexpressionism #provincetown #figurativeart #abstractart #paintingoftheday https://www.instagram.com/p/CAn6DtLghSX/?igshid=1jvkpvqarpwyn
JANICE BIALA (1903-2000) Provincetown, c. 1950s Oil on canvas 36 x 42 inches Signed at lower right: Biala . . #janicebiala #biala #jacktworkov #poland #New York #nationalacademy #design #charleshawthorne #edwindickinson #artstudentsleague #stablegallery #studio35 #abstract #expressionism #oilpainting #provincetown #available #forsale #brockandco #concord #massachusetts . . www.brockandco.com (at BROCK & CO.) https://www.instagram.com/brockcompany/p/Bvo2klQF4jX/?utm_source=ig_tumblr_share&igshid=4nddjfskwq6d