Manhattan Building, decorative detail
431 South Dearborn Street, Chicago
William Le Baron Jenney, architect, 1889 to 1891
seen from United States

seen from Portugal

seen from Portugal
seen from United States

seen from United States
seen from United States
seen from Japan
seen from Yemen
seen from Belgium

seen from United States
seen from Türkiye
seen from Russia
seen from Belgium
seen from Malaysia
seen from Germany

seen from United States
seen from Spain

seen from Germany

seen from United States
seen from Türkiye
Manhattan Building, decorative detail
431 South Dearborn Street, Chicago
William Le Baron Jenney, architect, 1889 to 1891
JANUARY 1, 2018 All Gagosians re-open tomorrow, January 2, 2018. Our continuing exhibitions are: •"Neil Jenney: Drawings & Paintings" at Gagosian Park & 75, NYC, through January 27. •"Douglas Gordon: back and forth and forth and back" at Gagosian West 21st Street, NYC, through February 3. •"Picasso and Maya: Father and Daughter" and "Picasso: By the Book," both at Gagosian Paris through February 24. •"Andreas Gursky: Bangkok" at Gagosian Rome, through March 3. •"Giuseppe Penone: Idee di Pietra" in Gstaad, Switzerland, through March 30. •"Sally Mann: Remembered Light: Cy Twombly in Lexington" at Gagosian Athens, through January 20. •"Damien Hirst: Visual Candy and Natural History" at Gagosian Hong Kong, through March 3. We look forward to seeing you in 2018!
EXTENDED! Neil Jenney's "Drawings & Paintings" at Gagosian Park & 75, NYC, has been extended until January 27. The current exhibition, his third with Gagosian since joining in 2011, includes one painting from each of Jenney's three key phases in his career ("Bad Paintings," "Good Paintings," and "New Good Paintings"), as well as a selection of drawings, which further reveal his social and artistic concerns. Come check it out! http://fal.cn/q9si
Neil Jenney's "Paintings & Drawings" opens this Friday, October 27, at Gagosian Park & 75, NYC, 6–8PM ET. A "New Good Painting" titled "Modern Africa" (2016) evokes the dry climate of northern Africa, depicting a staircase and a ramp-like fragment surrounded by sand, with footprints and a long shadow suggesting human presence. All of the paintings are displayed in heavy black wooden frames, designed and made by Jenney. Click on the link below to learn more! http://fal.cn/tn6M
Opening tomorrow—Neil Jenney at Gagosian Park & 75, NYC
OCTOBER 26, 2017
"Neil Jenney: Drawings & Paintings" at Gagosian Park & 75, NYC opens tomorrow, October 27, 6–8PM ET. This exhibition, his third with Gagosian since joining in 2011, includes one painting from each of the three key phases in Jenney’s career (Bad Paintings, Good Paintings, and New Good Paintings), as well as a selection of drawings, which further reveal his social and artistic concerns. Click HERE for more details.
Press release—Neil Jenney at Gagosian Park & 75, NYC
OCTOBER 20, 2017
NEIL JENNEY DRAWINGS & PAINTINGS Opening reception: Friday, October 27, 6–8PM October 27–December 22, 2017 Park & 75 821 Park Avenue New York, NY 10021
I had two striking realizations: one, that even if I produced the worst paintings possible, they would not be good enough; and two, that idealism is unavoidable. —Neil Jenney Gagosian is pleased to present drawings and paintings by Neil Jenney. A maverick in twentieth century American art, Jenney shifted his focus from abstract painting and sculpture in order to pursue a new type of realism, adopting the binary of “bad” and “good” paintings. He began to make the Bad Paintings in the 1960s, referring to them as such after Marcia Tucker’s exhibition “Bad Painting” at the New Museum in 1978. These purposefully sketchy, gestural works poked at preconceptions of taste and connoisseurship, and, according to Jenney, were “good concepts painted badly.” With them, he sought to indicate narrative truth through the depiction of elementary relationships between people and things. The Good Paintings, ongoing since the 1970s, pursue this same goal, but through an opposite approach. Using oil paint on wood panel, Jenney produces flawless, heavily stylized studies of the North American landscape, each surface so detailed that it seems to surpass reality. And most recently, in the New Good Paintings, he has expanded his scope to include other geographic locations, creating vistas that are as disorienting as they are clear. CONTINUE READING...
Jenney - He's Alive
Jenney – He’s Alive
Gospel artist, Jane Onyinyechi popularly called Jenney, releases a single titled, He’s Alive.
This song talks about the resurrection of Jesus Christ which sets Christianity apart. No other religious leader has broken the power of death and conquered sin. The resurrection is the final proof that Jesus Christ is who He claimed to be.
The resurrection secured our victory over death as well and“lift…
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